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The Presentation at the Temple is a 1342 painting by the Italian late medieval painter Ambrogio Lorenzetti, signed and dated 1342, now housed in the Uffizi Gallery of Florence, Italy.
A speaker giving a presentation using a projector. A presentation conveys information from a speaker to an audience.Presentations are typically demonstrations, introduction, lecture, or speech meant to inform, persuade, inspire, motivate, build goodwill, or present a new idea/product. [1]
The Virgin (detail) The scenes have a structure similar to the other two Annunciations but with some differences. As in the Annunciation of Cortona, the pictured surface is divided in three parts (the garden, the Angel's arch and the Virgin's arch), but the vanishing point is inside the home, as in the Annunciation of San Giovanni, focusing the viewer's attention on the Annunciation.
Giovanni di Paolo, St Catherine of Siena. Giovanni di Paolo di Grazia (c. 1403–1482) was an Italian painter, working primarily in Siena, becoming a prolific painter and illustrator of manuscripts, including Dante's texts.
The Cestello Annunciation is a tempera painting on panel made in 1489 by the Italian Renaissance master Sandro Botticelli.It was painted for the patron Benedetto di Ser Giovanni Guardi to adorn the church of the Florentine monastery of Cestello, which is now known as Santa Maria Maddalena de'Pazzi.
Pan de jamón (ham bread) is a typical Venezuelan Christmas bread, filled with ham, raisins and green olives. [1] Many variations have been created, some filling the bread with other ingredients like turkey or cream cheese and others using puff pastry as the dough.
Colada morada served with a t'anta wawa. Colada Morada is a drink that is part of Ecuador's gastronomic culture along with t'anta wawa bread dolls. It is a purple and thick liquid that is prepared with typical fruits of Ecuador, spices and corn flour.
The Santa Trinita Maestà (Italian: Maestà di Santa Trinita) is a panel painting by the Italian medieval artist Cimabue, dating to c. 1288-1292.Originally painted for the church of Santa Trinita, Florence, where it remained until 1471, it is now in the Uffizi Gallery of Florence, Italy.