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Crashout is a 1955 American film noir crime film directed by Lewis R. Foster and starring William Bendix, Arthur Kennedy, Luther Adler, William Talman, Gene Evans, Marshall Thompson, and Beverly Michaels.
Blueprint for Robbery is a 1961 American crime film directed by Jerry Hopper and written by Irwin Winehouse and A. Sanford Wolf. The film stars J. Pat O'Malley, Robert J. Wilke, Robert Gist, Romo Vincent, Jay Barney and Henry Corden.
Ellen Woglom (born 1987) is an American actress best known for such films and television series as Crash, Outlaw, [1] [2] Wendy Wu: Homecoming Warrior, Hated, April Showers and Californication. [3] [4] In 2017, she joined the cast of Inhumans. [5]
Ray "Crash" Corrigan (born Raymond Benitz; February 14, 1902 – August 10, 1976) was an American actor most famous for appearing in many B-Western movies (among these the Three Mesquiteers and The Range Busters film series).
P.S. I Luv U is an American crime drama television series that aired on CBS from September 15, 1991 to January 4, 1992 as a part of its 1991–92 schedule.The title derived from the phone number of fictitious Palm Security and Investigations, which was 774-5888, which can be reached by dialing "PSI-LUVU" on a standard North American telephone.
Liquefied gas Horton tanks similar to the six spherical tanks involved in the San Juanico disaster LPG bullet tanks. There were 48 tanks of this type in the Pemex plant. Note how this modern installation incorporates some of the lessons learned from San Juanico: an uncongested, well ventilated area, with the horizontal tanks in a parallel cluster configuration, which minimizes the effects of ...
Ex-convict Casey Martin (Lovejoy) is caught heisting a truck shipment. After he discovers the depths of alcoholism his sister, Lucille, has fallen to after working for mobster Dutch Becker (Tucker), Casey accepts the deal police have offered him.
Columbia Pictures acquired the rights to Caryl Chessman's book Cell 2455, Death Row: A Condemned Man's Own Story for $10,000 in June 1954. Columbia planned the film as a documentary-type story and did not intend that the film should advocate for Chessman's innocence.