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A Samoan woman with malu. Malu is a word in the Samoan language for a female-specific tattoo of cultural significance. [1] The malu covers the legs from just below the knee to the upper thighs just below the buttocks, and is typically finer and delicate in design compared to the Pe'a, the equivalent tattoo for males.
Manu Farrarons (born 1967) is a French-born Polynesian tattoo artist. Farrarons' art is a mix of Polynesian styles and designs, mostly Tahitian and Marquesan, which he mixes with Māori and Hawaiian influences. Full leg tattooed by Manu Farrarons. Freehand creation.
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Painting by Gottfried Lindauer of a moko being carved into a man's face by a tohunga-tā-moko (tattooist) A collection of kōrere (feeding funnels). Historically the skin was carved by uhi [6] (chisels), rather than punctured as in common contemporary tattooing; this left the skin with grooves rather than a smooth surface.
Samoan men who bear the pe'a body tattoo, as well as Samoan women who bear the malu leg tattoos often roll the waistband of the lavalava or tuck in the sides and rear portion(s) of the lavalava to expose their tattoo during dance performances or ceremonial functions (such as 'ava ceremonies), a style referred to as agini.
There was also a shift in iconography from the badge-like images based on repetitive pre-made designs known as flash to customized full-body tattoo influenced by Polynesian and Japanese tattoo art, known as sleeves, which are categorized under the relatively new and popular avant-garde genre. [144]
The tattoos of the Rapa Nui people were a subject of research by European colonisers, and Viriamo's body art was recorded by several people. It is likely that she is the 'chefess' recorded by Julien Viaud in his writings. Her back tattoos match those sketched by J. Linton Palmer in 1853; though she would have been older than he depicted at the ...
Tattoos, as well as other forms of art in Rapa Nui, blends anthropomorphic and zoomorphic imagery. [3] The most common symbols represented were of the Make-Make god, Moais, Komari (the symbol of female fertility), the manutara, and other forms of birds, fish, turtles or figures from the Rongo Rongo tablets.