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Manu Farrarons (born 1967) is a French-born Polynesian tattoo artist. Farrarons' art is a mix of Polynesian styles and designs, mostly Tahitian and Marquesan, which he mixes with Māori and Hawaiian influences. Full leg tattooed by Manu Farrarons. Freehand creation.
For example, Polynesian tribal tattoos represent different meanings (e.g., accomplishments, location, personality, etc.) within the Polynesian culture. Many tribal tattoo designs include symmetry ...
The term "sleeve" is a reference to the tattoo's size similarity in coverage to a shirt sleeve on an article of clothing. The term is also sometimes used in reference to a large tattoo that covers a person's leg. [1] The most typical sleeve tattoo is a full sleeve, which covers the arm entirely in tattoos from the shoulder to the wrist. [2]
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Tattoo artist Tavana Salmon (13 January 1920 – 24 September 2024) was a French Polynesian culture advocate and tattoo artist. [ 1 ] In 1982, he began his contributions to Polynesian culture through his tattoo practice.
A Samoan woman with malu. Malu is a word in the Samoan language for a female-specific tattoo of cultural significance. [1] The malu covers the legs from just below the knee to the upper thighs just below the buttocks, and is typically finer and delicate in design compared to the Pe'a, the equivalent tattoo for males.
Painting by Gottfried Lindauer of a moko being carved into a man's face by a tohunga-tā-moko (tattooist) A collection of kōrere (feeding funnels). Historically the skin was carved by uhi [6] (chisels), rather than punctured as in common contemporary tattooing; this left the skin with grooves rather than a smooth surface.
In some cases the tattoos were considered a receptor for divine strength or mana. They were manifestations of the Rapa Nui culture. Priests, warriors and chiefs had more tattoos than the rest of the population, as a symbol of their hierarchy. Both men and women were tattooed to represent their social class. [2] [3]