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Painting types include fine art to decorative and functional objects spanning from acrylics, frescoes, and oil paint on various surfaces, egg tempera on panels and canvas, lacquer painting, water color and more. Knowing the materials of any given painting and its support allows for the proper restoration and conservation practices.
A painting's natural aging process, as well as environmental factors, can require intervention by a paintings conservator to restore the work. Reasons for restoration may include water damage, tearing, flaking, and a weakened canvas. The primary goal of a paintings conservator conducting a restoration is to ensure the work is stable.
Custom strainers or inner panelings that are fit to the painting and secured with screws, therefore offering strength to the painting and allowing hanging devices to be attached without damaging a painting. [24] Cradling – Cradling refers to the addition of wooden supports or frames on the back of paintings. These slats require flexibility to ...
[1] paint, wood finish top coat, [citation needed] wax, lacquer or varnish are commonly used. [2] The artisan or restorer is traditionally aiming for an improved or restored and renewed finish. However, there are a great variety of both traditional and modern finishes, including faux finishes, and distressing or antiquing to make pieces look older.
The conservation and restoration of lacquerware prevents and mitigates deterioration or damage to objects made with lacquer. The two main types of lacquer are Asian, made with sap from the Urushi tree, and European, made with a variety of shellac and natural resins. Lacquer can be damaged by age, light, water, temperature, or damaged substrate.
If the painting was in a state that did not necessitate an entirely new canvas, the conservator or restoration specialist would move on to the step of adhesive application. If the work was so deteriorated that this was not possible, what remained of the canvas needed to be removed without causing further damage to the artwork.
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During the 18th century, new techniques were perfected for the restoration and conservation of ancient works of art, including methods of detaching fresco paintings from walls. Detachment involves separating the layer of paint from its natural backing, generally stone or brick, and can be categorized according to the removal technique used.