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There are 15 possible rhyme sequences for a four-line poem; common rhyme schemes for these include AAAA, AABB, ABAB, ABBA, and ABCB. [citation needed] "The Raven" stanza: ABCBBB, or AA,B,CC,CB,B,B when accounting for internal rhyme, as used by Edgar Allan Poe in his poem "The Raven" Rhyme royal: ABABBCC
Decasyllabic quatrain is a poetic form in which each stanza consists of four lines of ten syllables each, usually with a rhyme scheme of AABB or ABAB. Examples of the decasyllabic quatrain in heroic couplets appear in some of the earliest texts in the English language, as Geoffrey Chaucer created the heroic couplet and used it in The Canterbury Tales. [1]
The first line is the name of the poem's subject, usually a famous person, and the remainder puts the subject in an absurd light or reveals something unknown or spurious about the subject. The rhyme scheme is AABB, and the rhymes are often forced. The line length and metre are irregular.
A sestain is a six-line poem or repetitive unit of a poem of this format , comparable to quatrain (Ruba'i in Persian and Arabic) which is a four-line poem or a unit of a poem. There are many types of sestain with different rhyme schemes, for example AABBCC, ABABCC, AABCCB or AAABAB. [1]
Following the rhyme scheme of the Villanelle, but with 5 extra couplets just after each tercet. Cinquain: rhyme scheme ABABB. Clerihew: rhyme scheme AABB. Enclosed rhyme (aka enclosing rhyme): ABBA. Ghazal: AA BA CA DA; Kural: Tamil verse form; Limerick: AABBA. Monorhyme: an identical rhyme on every line, common in Latin and Arabic: AAAAA.
Each stanza follows an "AABB" rhyme scheme. “A Cradle Song” follows a couplet structure where each pair of lines rhyme. This lends the poem a graceful sound and makes it easy to sing. While writing this poem, Blake drew from the image of a mother sitting over her infant while the baby is in her crib falling sleep.
Stylistically, the poems by Marlowe and Raleigh are pastoral poetry written in six quatrains that employ a rhyme scheme of AABB CCDD EEFF GGHH IIBB JJBB. [2] Compositionally, each poem follows the unstressed and stressed pattern of iambic tetrameter, using two couplets per stanza, with each line containing four iambs. [3]
The poem uses thirteen stanzas, constructed using an AABB rhyme scheme. This is a conventional style of writing poetry, upon which Emily's mark can be seen in the way certain lines lack the required rhyme. The effect of this technique is often to draw emphasis to the content of the line, and add impact to that stanza.