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The documentary chronicles the history of the American exploitation film from the days of Thomas Edison to contemporary films of the 21st century. [3] The film features interviews with John Landis, Joe Dante, Jack Hill, Don Edmonds, Fred Williamson, Allison Anders, James Gordon White, Larry Cohen, William Lustig, Herschell Gordon Lewis, Judy Brown, Jeremy Kasten, Jonathan Kaplan, Bob Minor ...
Hollywood 90028 is a 1973 American exploitation film written, produced, and directed by Christina Hornisher [1] [5] and starring Christopher Augustine and Jeannette Dilge. It follows an isolated cinematographer in Los Angeles whose feelings of alienation lead him to murder.
Eli Raphael Roth (born April 18, 1972) is an American film director, screenwriter, producer, and actor. As a director and producer, he is most closely associated with the horror genre, namely splatter films, having directed the films Cabin Fever (2002) and Hostel (2005).
“Thanksgiving,” a cheerfully debased — or maybe I should say de-basted — slasher film directed by Eli Roth, marks the third time that one of the luscious mock trailers from Quentin ...
The SpongeBob Movie: Sponge on the Run: Paramount+ / Paramount Animation / Nickelodeon Movies / MRC: Tim Hill (director/screenplay); Tom Kenny, Awkwafina, Matt Berry, Snoop Dogg, Bill Fagerbakke, Clancy Brown, Tiffany Haddish, Carolyn Lawrence, Mr. Lawrence, Keanu Reeves, Danny Trejo, Reggie Watts
Sammy Harkham's epic graphic novel took 14 years to create and captures a Los Angeles — and a movie business — that no longer exists.
Grindhouse is an American term for a theater that mainly showed exploitation films. These theatres were most popular throughout the 1970s and early 1980s in New York City and other urban centers, mainly in North America, but began a long decline during the mid-1980s with the advent of home video.
The American independent film, prior to the 1980s and first half of the 1990s, [19] [20] [11] was previously associated with race films, [21] Poverty Row b movies (e.g. Republic Pictures [22] [23]), exploitation films, avant-garde underground cinema (when it was known as the New American Cinema [24] [25]), social and political documentaries, experimental animated shorts (since the mid-1930s ...