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"Change (In the House of Flies)", often referred to as "Change", is a song by American alternative metal band Deftones, released as the first single from their third album, White Pony, in May 2000. [1]
"Change (In the House of Flies)" was the album's lead single, and became a radio hit. Moreno compared it to earlier single "Be Quiet and Drive (Far Away)", considering it "a beautiful metamorphosis". [22] The closer, "Pink Maggit" is a "brooding, surreal epic" which ends with a recorded heartbeat.
Deftones is an American alternative metal band formed in Sacramento, California in 1988. They were formed by frontman Chino Moreno , lead guitarist Stephen Carpenter and drummer Abe Cunningham , with bassist Chi Cheng and keyboardist and turntablist Frank Delgado joining the line-up in 1990 and 1999, respectively.
"Digital Bath" features a variety of effects and sampling. [3] The verse is composed of echoed guitar chords and soothing, whispered vocals. The song also features a high vocal pitch from Chino Moreno virtually unheard in other Deftones material.
Singles "Change (In the House of Flies)" and "Digital Bath" supported the album's release. A single entitled " Back to School (Mini Maggit) " was released as a rap-influenced reinterpretation of White Pony's closing track, "Pink Maggit", and was provided for free to owners of White Pony due to its original release on Enhanced CD media. [ 4 ]
Deftones released a series of cryptic teasers for a week in mid-August 2020. The teaser campaign ended on August 21, 2020 with the release of the "Ohms" music video; the album's title was also revealed with the video's release. [3] The video was directed by Rafatoon and features the band performing interspersed with scenes of a dystopian world. [4]
Across Far Eastern civilizations like Japan, there is a particularly positive dragonfly meaning—and that's true for many Indigenous American cultures, too. In the former, dragonflies represent ...
"B-Sides and Rarities is an overall resounding effort by perhaps the smartest members of the now moribund Nü-Metal genre", said Ayo Jegede of Stylus Magazine.He went on to say, "Each of these B-sides and alternates replicates a period in their career, so while the songs themselves may be new, they perfectly encapsulate each album of the band’s catalogue as though they were overarching epochs".