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Atukuri Molla (ఆతుకూరి మొల్ల) was a 16th-century Telugu poet who authored Molla Ramayanam, a Telugu-language version of Sanskrit Ramayana. [1] [2] Identified by her caste, she was popularly known as Kummari Molla. [3]
Kasi Khandamu (Telugu: కాశీఖండము, romanized: Kāśī Khanḍamu) is a Telugu literary work by 15th century poet Srinatha. It is composed in a poetic form of Prabandha style with strict metre. The main subject is the profile of Kasi or Varanasi, extracted mostly from Kasi Khanda of Skanda Purana.
Telugu translation of the text and the commentary of HH. Candraśekharabhāratī of Śaradāpīṭham, Śṛṅgerī 1979 Anthology of Indian Literatures Translation into Telugu of Sanskrit portions 1979 Ratnāvalī Translation into Telugu 1979 Rāgarociḥ Sanskrit Translation of Telugu poems 1979 Kāvyālaṅkāra of Bhāmaha
With the first translation of the Kural text into Telugu made in 1877, Telugu has seen a series of translations before the turn of the 20th century. [1] The first translation was titled Trivarga Dipika made by Venkatrama Srividyanandaswami of the Kanuparti family, who presented it with elaborate notes. [2]
Andhra Mahabharatham ఆంధ్ర మహాభారతం is the Telugu version of Mahabharatha written by the Kavitrayam (Trinity of poets), consisting of Nannayya, Thikkana and Yerrapragada (also known as Errana).The three poets translated the Mahabharata from Sanskrit into Telugu over the period of the 11–14th centuries CE, and became the idols for all the following poets. [1]
Rayaprolu Subbarao defined Telugu romanticism and began a new era in Telugu literature. His romantic literature is considered as the watershed in Telugu literature for its modernity of themes such as naturalism , rural life, platonic love , a sense of history, libertarianism , patriotism , and fierce nationalism .
Mutyala Saralu (Telugu: ముత్యాల సరాలు) is a compilation of Telugu poems written by Gurajada Apparao in 1910. The compilation heralded the beginning of modern poetry in Telugu language. [1] The traditional meter is replaced by a new lyrical and four beat balladic rhythm.
His writing style was mostly Telugu, unlike Nannayya whose work was mostly sanskritized. Tikkana used Telugu words even to express very difficult ideas. He used Telugu words and parables extensively. [citation needed] In the colophons of his work, Tikkana calls himself "a friend to both [kinds of] poets" (Ubhaya-kavi-mitra).