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Robben Lee Ford (born December 16, 1951) [1] is an American blues, jazz, and rock guitarist. [2] He was a member of the L.A. Express and Yellowjackets and has collaborated with Miles Davis , Joni Mitchell , George Harrison , Larry Carlton , Rick Springfield , Little Feat , and Kiss .
Bill Frisell. Bill Frisell (born 1951) jazz guitarist noted for his atmospheric legato sounds, has used the Telecaster as his primary guitar since at least 2007. [31]Robben Ford (born 1951) has used a 1960 white Telecaster as one of his main guitars throughout his career.
Soul on Ten is an album by American guitarist Robben Ford that was released on August 11, 2009. [1] Eight of the tracks are live recordings from an appearance in San Francisco in April 2009. The album includes cover versions of "Spoonful" by Willie Dixon and "Please Set a Date" by Elmore James in addition to three new songs: "Earthquake", "Don ...
In 1977, guitarist Robben Ford, for his first solo album, recruited keyboardist Russell Ferrante, electric bassist Jimmy Haslip and drummer Ricky Lawson. [1] They decided to continue as a group and were signed to Warner Bros. Records by producer Tommy LiPuma, who chose the name "Yellowjackets" from a list of potential group names the band had ...
Robben Ford replaced Carlton as guitarist and Larry Nash took over as the group's keyboardist. The group also performed the score to the 1974 adult animated comedy film The Nine Lives of Fritz the Cat. With Ford and Nash on board, Tom Scott and the L.A. Express recorded the Tom Cat album in late
The album included guitarists Joe Bonamassa, Robben Ford, and Paul Barrère. Roscoe Beck was featured on bass and Jon Cleary on piano. [1] Track listing.
The Windsor Star wrote that the album "is one of the most challenging, enjoyable new releases of 1988... Talk To Your Daughter combines some traditional blues elements, as in 'Born Under a Bad Sign' and the marvellous title tune, with more adventurous things, like 'Help the Poor', to create an aural tapestry of bluesy music that is played with intensity and a strong sense of balance."
The Lincoln Journal Star called the album "enjoyable and distinctive," writing that it rises above "'studio player' anonymity." [5] The Spokesman-Review called Ford "a virtuoso electric guitarist with his feet nicely placed in both the jazz and rock camps."