Ad
related to: plato's phaedo socrates meaning
Search results
Results From The WOW.Com Content Network
It is set in the last hours prior to the death of Socrates, and is Plato's fourth and last dialogue to detail the philosopher's final days, following Euthyphro, Apology, and Crito. One of the main themes in the Phaedo is the idea that the soul is immortal .
Phaedrus is Plato's only dialogue that shows Socrates outside the city of Athens, out in the country. It was believed that spirits and nymphs inhabited the country, and Socrates specifically points this out after the long palinode with his comment about listening to the cicadas .
In Phaedo, Plato develops his theory of anamnesis, in part by combining it with his theory of forms. Firstly, he elaborates how anamnesis can be achieved: whereas in Meno , nothing more than Socrates' method of questioning is offered, in Phaedo , Plato presents a way of living that would enable one to overcome the misleading nature of the body ...
Plato wrote approximately 35 dialogues, in most of which Socrates is the main character. The protagonist of each dialogue, both in Plato's and Xenophon's work, usually is Socrates who by means of a kind of interrogation tries to find out more about the other person's understanding of moral issues. In the dialogues Socrates presents himself as a ...
The Last Days of Socrates, translation of Euthyphro, Apology, Crito, Phaedo. Hugh Tredennick, 1954. ISBN 978-0140440379. Made into a BBC radio play in 1986. "Four Texts on Socrates: Plato's Euthyphro, Apology, and Crito, and Aristophanes' Clouds." Translated by Thomas G. West and Grace Starry West. Cornell University Press, 1998. ISBN 978 ...
Phaedo was present at the death of Socrates in 399 BCE, and was young enough for Socrates to stroke his hair, [2] which was worn long in the Spartan style. [5] That Phaedo was friends with Plato seems likely from the way in which he is introduced in Plato's dialogue Phaedo, which takes its name from him.
Socrates on Trial: A Play Based on Aristophane's Clouds and Plato's Apology, Crito, and Phaedo Adapted for Modern Performance (2007), by Andrew David Irvine, is a contemporary play that portrays Socrates as philosopher and man, based upon The Clouds (423 BC), by Aristophanes, and three Socratic dialogues, by Plato, the Apology of Socrates (the ...
The character of Socrates as exhibited in Apology, Crito, Phaedo and Symposium concurs with other sources to an extent that gives confidence in Plato's depiction of Socrates in these works as being representative of the real Socrates.