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Serenade in C major, Op. 10, for string trio (usually violin, viola, cello) (1902), is an early 20th-century five-movement suite by Hungarian composer Ernő Dohnányi. [1] Premiered in Vienna in 1904, year of its first publication, it was written in 1902 during a concert tour to London and Vienna.
Serenade in C major for string trio, Op. 10 (1902) String Quartet No. 2 in D ♭ major, Op. 15 (1906) Sonata in C ♯ minor for violin and piano, Op. 21 (1912) Piano Quintet No. 2 in E ♭ minor, Op. 26 (1914) String Quartet No. 3 in A minor, Op. 33 (1926) Sextet in C major for piano, strings and winds, Op. 37 (1935)
The earliest string trio, found during the mid 18th century, consisted of two violins and a cello, a grouping which had grown out of the Baroque trio sonata.Over the course of the late 18th century, the string trio scored for violin, viola, and cello came to be the predominant type. [1]
Ganz kleine Nachtmusik (German for Quite (or Very) Little Night Music), K. 648, [1] also known as Serenade in C, [2] is a composition for string trio by Wolfgang Amadeus Mozart (1756–1791), written in the mid to late 1760s.
The finale opens in a ragtime for clarinet and piano, after which the string trio responds. At the end, material of the opening movement reoccurs, in cyclicism typical for the late romantic period. At the end, material of the opening movement reoccurs, in cyclicism typical for the late romantic period.
The three String Trios, Op. 9 were composed by Ludwig van Beethoven in 1797–98. He published them in Vienna in 1799, with a dedication to his patron Count Johann Georg von Browne (1767–1827). [1] They were first performed by the violinist Ignaz Schuppanzigh with two colleagues from his string quartet.
John Tavener (1944–2013): Four string quartets: The Hidden Treasure – String Quartet No. 1; The Last Sleep of the Virgin – String Quartet No. 2, for string quartet and handbells; Diódia – String Quartet No. 3; The Bridegroom – String Quartet No. 4; plus other works including parts for string quartet.
The Five Pieces further develop the notion of "total chromaticism" that Schoenberg introduced in his Three Piano Pieces, Op. 11 (composed earlier that year) and were composed during a time of intense personal and artistic crisis for the composer, this being reflected in the tensions and, at times, extreme violence of the score, mirroring the expressionist movement of the time, in particular ...