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  2. Politeness theory - Wikipedia

    en.wikipedia.org/wiki/Politeness_theory

    Whereas positive face involves a desire for connection with others, negative face needs include autonomy and independence. [11] Ten years later, Brown characterized positive face by desires to be liked, admired, ratified, and related to positively, noting that one would threaten positive face by ignoring someone.

  3. Rubin vase - Wikipedia

    en.wikipedia.org/wiki/Rubin_vase

    The Rubin vase (sometimes known as Rubin's vase, the Rubin face or the figure–ground vase) is a famous example of ambiguous or bi-stable (i.e., reversing) two-dimensional forms developed around 1915 by the Danish psychologist Edgar Rubin.

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  5. Face (sociological concept) - Wikipedia

    en.wikipedia.org/wiki/Face_(sociological_concept)

    Positive face is "the positive consistent self-image or 'personality' (crucially including the desire that this self-image be appreciated and approved of) claimed by interactants" Negative face is "the basic claim to territories, personal preserves, rights to non- distraction —i.e., to freedom of action and freedom from imposition"

  6. 30 Best Pumpkin Faces To Carve for Halloween and Add Some ...

    www.aol.com/30-best-pumpkin-faces-carve...

    Related: 50 Easy Halloween Party Ideas That'll Turn Your Bash Into a Spooktacular Celebration. 30 Best Pumpkin Faces. 1. This spooky grin with sharp teeth and X's for eyes is sure to be a crowd ...

  7. Affect display - Wikipedia

    en.wikipedia.org/wiki/Affect_display

    Affect displays are the verbal and non-verbal displays of affect (). [1] These displays can be through facial expressions, gestures and body language, volume and tone of voice, laughing, crying, etc. Affect displays can be altered or faked so one may appear one way, when they feel another (e.g., smiling when sad).

  8. Positive (photography) - Wikipedia

    en.wikipedia.org/wiki/Positive_(photography)

    Color transparencies are an example of positive photography: the range of colors presented in the medium is limited by the tonal range of the original image (dark and light areas correspond). It is opposed to a negative where colors and luminance are reversed: this is due to the chemical or electrical processes involved in recording the scene ...

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