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A polymath [a] [1] or polyhistor [b] [2] is an individual whose knowledge spans many different subjects, known to draw on complex bodies of knowledge to solve specific problems. Polymaths often prefer a specific context in which to explain their knowledge but others can be gifted at explaining abstractly and creatively.
Leonardo da Vinci (April 15, 1452 – May 2, 1519) was an Italian Renaissance painter and polymath who achieved legendary fame and iconic status within his own lifetime. His renown primarily rests upon his brilliant achievements as a painter, as his Mona Lisa and The Last Supper are two of the most famous artworks ever created.
Leon Battista Alberti (Italian: [leombatˈtista alˈbɛɾti]; 14 February 1404 – 25 April 1472) was an Italian Renaissance humanist author, artist, architect, poet, priest, linguist, philosopher, and cryptographer; he epitomised the nature of those identified now as polymaths.
The prologue is by the Oxford University professor Martin Kemp, author of many books on the Renaissance polymath Leonardo da Vinci. He has been cited as a leading expert on the topic. [12] Leonardo's drawing of the Vitruvian Man, symbolising the unity of humanity and the cosmos, is the book's cover image. [13]
A mathematical stamp has one or more of the following characteristics: It depicts a mathematician, or a polymath with a significant mathematical output [5] It depicts a mathematical concept or mathematical object; It depicts a mathematical symbol, formula or notation
Renaissance art (1350 – 1620 [1]) is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. [2]
Science and art were intermingled in the early Renaissance, with polymath artists such as Leonardo da Vinci making observational drawings of anatomy and nature. Leonardo set up controlled experiments in water flow, medical dissection, and systematic study of movement and aerodynamics, and he devised principles of research method that led ...
The Florentine Renaissance in art is the new approach to art and culture in Florence during the period from approximately the beginning of the 15th century to the end of the 16th. This new figurative language was linked to a new way of thinking about humankind and the world around it, based on the local culture and humanism already highlighted ...