Ads
related to: cannonball tenor saxophone for sale
Search results
Results From The WOW.Com Content Network
Cannonball Musical Instruments first began as a saxophone manufacturer. Cannonball saxophones in current production are student Alcazar, intermediate Sceptyr, and professional Big Bell Stone Series, Vintage Series, and Key Artist Series models, [4] are made in a variety of finishes including The Brute (aged brass), Raven (iced black), Mad Meg (bare brass), and Hotspur (iced black and iced silver).
From 1955 to 1958, Miles Davis was leading what would come to be called his First Great Quintet.By 1958, the group consisted of John Coltrane on tenor saxophone, Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums, [3] and had just been expanded to a sextet with the addition of Cannonball Adderley on alto saxophone.
Kind of Blue is a studio album by the American jazz trumpeter and composer Miles Davis.It was released on August 17, 1959, by Columbia Records.For the recording, Davis led a sextet featuring saxophonists John Coltrane and Julian "Cannonball" Adderley, pianist Bill Evans, bassist Paul Chambers, and drummer Jimmy Cobb, with new band pianist Wynton Kelly replacing Evans on one track, "Freddie ...
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B ♭ (while the alto is pitched in the key of E ♭ ), and written as a transposing instrument in the treble clef ...
Christlieb was born in Los Angeles, California, United States, [1] and is the son of bassoonist Donald Orville Christlieb, and Pearl Gold, [2] Christlieb has worked with many musicians, such as Louie Bellson, Chet Baker, Woody Herman, Count Basie, Tom Waits, Steely Dan, Warne Marsh, Vince Guaraldi, Quincy Jones, Doc Severinsen, The Tonight Show Band, Bob Florence, Frank Mantooth, Gary Urwin ...
Initially with George Coleman or Sam Rivers on tenor sax, the final member of the quintet arrived in late 1964 when saxophonist Wayne Shorter joined. The performance style of the Second Great Quintet was often referred to by Davis as "time, no changes", incorporating elements of free jazz without completely surrendering to the approach.