Ad
related to: your love oh lord guitar chords and lyrics
Search results
Results From The WOW.Com Content Network
Time is the third studio album from Christian rock band Third Day.It was released on August 24, 1999, by Essential Records.. The album features ten songs chosen from more than 30 the band had managed to write during their tour the previous year.
Jesus Is Lord: 2003 Stuart Townend: New Irish Hymns 2, An Evening in Prague: Lyrics, Story: Jesus, Your Name: 2004 Kristyn Getty, Ian Hannah New Irish Hymns 3: Lyrics: Join All the Glorious Names: 2003 Kristyn Getty: New Irish Hymns 2 — Joy Has Dawned Upon the World: 2004 Stuart Townend: New Irish Hymns 3, An Evening in Prague: Lyrics, Review ...
[8] [9] [10] In his memoir, Tyler explains that the song's lyrics "came from the seedy area where we recorded the album. "Lord of the Thighs" was about a pimp and the wildlife out on the street." [11] Tyler plays the piano on the track, the opening beat of which is similar to the one Kramer would play a year later in "Walk This Way".
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
"That song just wrote itself in about five minutes. The same chords the whole way through the song. I mean that's embarrassing really! It was just a little ditty. Did it at church. It was good but I don't think it really blew anybody away. It wasn't like, 'Oh Martin's written the most amazing song!' I still don't really think it is.
"Your Love" is a song by the husband/wife duo of Marilyn McCoo and Billy Davis Jr., former members of the vocal group The 5th Dimension. Released from their album, I Hope We Get to Love in Time, it was the follow-up to their number-one hit, "You Don't Have to Be a Star (To Be in My Show)".
There are few keys in which one may play the progression with open chords on the guitar, so it is often portrayed with barre chords ("Lay Lady Lay"). The use of the flattened seventh may lend this progression a bluesy feel or sound, and the whole tone descent may be reminiscent of the ninth and tenth chords of the twelve bar blues (V–IV).
The basic rhythm track was recorded first, followed by George Harrison's overdubbed 12-string guitar and some extra percussion. John Scott recorded a tenor flute in the spaces in Lennon's vocal track and an additional alto flute part, an octave higher than the first, on the last available track of the four-track machine.