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"Morgen!" ("Tomorrow!") is the last in a set of four songs composed in 1894 by the German composer Richard Strauss.It is designated Opus 27, Number 4.. The text of this Lied, the German love poem "Morgen!", was written by Strauss's contemporary, John Henry Mackay, who was of partly Scottish descent but brought up in Germany.
The title Four Last Songs was provided posthumously by Strauss's friend Ernst Roth, who published the four songs as a single unit in 1950 after Strauss's death. Strauss died in September 1949. The premiere was given at the Royal Albert Hall in London on 22 May 1950 by soprano Kirsten Flagstad and the Philharmonia Orchestra , conducted by ...
The committee, in a mood for a musical joust, [citation needed] titled Offenbach's work as "Abendblätter" (Evening Papers) and Strauss' work as "Morgenblätter" (Morning Papers). Friendly rivalry was top of their intentions though [ citation needed ] as Strauss dutifully premiered Offenbach's work as well as his own because the latter was not ...
In 1885 Strauss met the composer Alexander Ritter who was a violinist in the Meiningen orchestra and the husband of one of Richard Wagner's nieces. An avid champion of the ideals of Wagner and Franz Liszt, Ritter had a tremendous impact on the trajectory of Strauss's work as a composer from 1885 onward.
Only 88 compositions by the German composer Richard Strauss (1864–1949) have been assigned opus numbers; these numbers are shown in the table below in the column "Op."." Two volumes of a catalogue of the remaining works were published by Erich Hermann Mueller von Asow (1892–1964) in 1959
At the World Economic Forum in Davos on Thursday, President Donald Trump boomed, “Canada has been very tough to deal with over the years. We don't need them to make our cars, and they make a lot ...
Hints and the solution for today's Wordle on Monday, February 17.
The German composer Richard Strauss (1864–1949) was prolific and long-lived, writing 16 operas from 1892 up until his death in 1949. Strauss "emerged soon after the deaths of Wagner and Brahms as the most important living German composer", [1] and was crucial in inaugurating the musical style of Modernism.