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A novel is an extended work of narrative fiction usually written in prose and published as a book. [1] The word derives from the Italian: novella for "new", "news", ...
Originality is the aspect of created or invented works that distinguish them from reproductions, clones, forgeries, or substantially derivative works. [citation needed] The modern idea of originality is according to some scholars tied to Romanticism, [1] by a notion that is often called romantic originality.
Novel: A Forum on Fiction is a triannual peer-reviewed academic journal published by Duke University Press. The editor-in-chief is Nancy Armstrong (Duke University). It is the official journal of the Society for Novel Studies. The journal was established in 1967 and publishes essays "concerned with the novel's role in engaging and shaping the ...
Literary historian Ian Watt, in The Rise of the Novel (1957), argued that the modern novel was born in the early 18th century. Recent technological developments have led to many novels also being published in non-print media: this includes audio books, web novels, and ebooks. Another non-traditional fiction format can be found in graphic novels.
The sometimes blurry definition between a novel and a novella can create controversy, as was the case with British writer Ian McEwan's On Chesil Beach (2007). The author described it as a novella, but the panel for the Man Booker Prize in 2007 qualified the book as a "short novel". [23]
Kimberly Lemming, who writes fantasy romance novels like “That Time I Got Drunk and Saved a Demon,” is one such author. Lemming started as an independent, self-published author but after her ...
At first Balai Pustaka released Malay translations of popular novels from the West, including The Adventures of Tom Sawyer, The Last of the Mohicans, and Sans Famille. It also published original, Malay-language short stories such as Penghibur Hati. With the publication of Azab dan Sengsara in 1920, Balai Pustaka began publishing original novels ...
In this essay, Bakhtin attempts to outline a theory of the novel and its unique properties by comparing it to other literary forms, in particular the epic.Bakhtin sees the novel as capable of achieving much of what other forms cannot, including an ability to engage with contemporary reality, and an ability to re-conceptualize the individual in a complex way that interrogates his subjectivity ...