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Sousa's birthplace on G St., S.E. in Washington, D.C. John Philip Sousa was born in Washington, D.C., the third of 10 children of João António de Sousa (John Anthony Sousa) (September 22, 1824 – April 27, 1892), who was born in Spain to Portuguese parents, and his wife Maria Elisabeth Trinkhaus (May 20, 1826 – August 25, 1908), who was German and from Bavaria.
John Philip Sousa was an American composer and conductor of the late Romantic era known primarily for American military marches. [1] He composed 136 marches from 1873 until his death in 1932. [ a ] [ 2 ] He derived a few of his marches from his other musical compositions such as melodies and operettas .
Out of Work (1880) Tyrolienne (1880) Under the Eaves (1880) The Blending of the Blue and the Gray (1887) Songs of Grace and Glory (1892) The Salute of the Nations (1893) Rose, Thistle and Shamrock (1901) In the Realm of the Dance (1902) A Day at Great Lakes (1915) On the 5:15 (1916) In Pulpit and Pew (1917) A Study in Rhythms (1920)
The opening strain of the march is famous and familiar to many. Typically, the march is played at a tempo of 110 to 120 beats per minute, rarely any faster. March enthusiasts have argued that the trio sections' mellow and moving phrases are among Sousa's most musical. Six sudden eighth notes move the melody along.
"The Stars and Stripes Forever" is a patriotic American march written and composed by John Philip Sousa in 1896. By a 1987 act of the U.S. Congress , it is the official National March of the United States of America .
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John Philip Sousa was an American composer and conductor. He served as the director of the United States Marine Band from 1880 to 1892. During his tenure, he was popularly referred to as the "March King". [1] In 1881, Sousa became a Freemason [2]: 36 and on November 18 the same year, he was raised to a third-degree mason.
John Philip Sousa: The operetta is mostly derived from Sousa's previous operettas like The Smugglers and The Wolf. Author Paul E. Bierley attributes to The Bride Elect the "misfortune of falling in the wake of the highly successful El Capitan". Sousa's later march of the same title was more successful than the operetta. Hyperion Theater, New Haven