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Two songs from the movie was released in Tamil, and also the dubbed versions in Telugu and Hindi, on the same day and A bonus track was released on 6 November 2018, in Tamil as well as the dubbed versions in Telugu and Hindi. The album received generally positive reviews from critics.
2.0 was released worldwide in both 3D and conventional format on 30 November 2018, along with its Hindi and Telugu dubbed versions. The film received mixed reviews, with praise towards the direction, performances of Rajinikanth and Akshay Kumar, visual effects, action sequences, soundtrack and social message, although the screenplay received ...
Lyricist Irshad Kamil and Rahman designed the songs rooted with rhythm changes and adapted them to the type of Broadway musical. [6] As per him, the soundtrack album is in Punjabi and the parlance of the songs was common than soundtrack of Rockstar. [7] The tracks conveyed philosophy by Chamkila but the genre was pop. [7]
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In 2022, Ormax Media chose Shershaah as the "top Hindi soundtrack of 2021" [29] while "Raataan Lambiyan" (at first position), "Ranjha" and "Mann Bharryaa 2.0" were listed among the "top 10 Hindi songs of 2021". [30] Outlook India-based Samarth Goyal chose "Ranjha" and "Raataan Lambiyan" as one of "the Top 10 Hindi-Pop hits of 2021". [31]
Kumar Sanu is an Indian playback singer, working primarily in Hindi films, he also sings in many other Indian languages, including English, Marathi, Assamese, Bhojpuri, Gujarati, Telugu, Malayalam, Kannada, Tamil, Punjabi, Oriya, Chhattisgarhi, Urdu, Pali, and his native language, Bengali. He has sung a many songs in Hindi films.
Song(s) Composer(s) Writer(s) Co-singer(s) Ref. Baaghi 3 "Dus Bahane 2.0" Vishal–Shekhar: Panchhi Jalonvi: Vishal Dadlani, Shekhar Ravjiani, KK, Tulsi Kumar "Tujhe Rab Mana" Rochak Kohli: Gautam G Sharma, Gurpreet Saini English Ki Taay Taay Fiss "English Ki Taay Taay Fiss" Namumkin Tere Bin Jeena "Hum Tum Jo Mile" Monty Sharma: Sunil Sirvaiya ...
Look is a 2007 American found footage film directed by Adam Rifkin. The film is composed entirely of material shot from the perspective of surveillance cameras . [ 1 ] Though shot using CineAlta movie cameras, all were placed in locations where actual surveillance cameras were mounted.