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Uzumaki (うずまき, lit. ' Spiral ' [4]) is a Japanese horror manga series written and illustrated by Junji Ito.Appearing as a serial in Shogakukan's weekly seinen manga magazine Big Comic Spirits from 1998 to 1999, the chapters were compiled into three bound volumes published from August 1998 to September 1999.
D. Dandadan; Dante's Inferno: An Animated Epic; Dara-san of Reiwa; Dark Gathering; Dark Metro; Dark Water (short story collection) The Decagon House Murders (manga)
This is a list of horror anime television series, films, and OVAs.While not all inclusive, this list contains numerous works that are representative of the genre. For accuracy of the list, the most common English usage is followed by Japanese name and romaji version.
Shinobu Tagashira, known for his directorial work on Diabolik Lovers, directed and created the character design for the anime. [9] [10] The announcement also revealed that the series would adapt from two of Ito's manga collections, the 11 volume Junji Ito Masterpiece Collection and the single volume Fragments of Horror, [9] but did not specify ...
The series was originally announced on June 8, 2022; the series was announced to adapt stories from Junji Ito's The Hanging Balloons, Sōichi, and Tomie manga. [6] The series is directed by Shinobu Tagashira and produced by Studio Deen, with Kaoru Sawada writing the scripts and Yuki Hayashi composing the music, all of whom worked on the previous anthology series adapting Ito's works, Junji Ito ...
Genocyber: The Beauty Devil from Psychic World (ジェノサイバー虚界の魔獣, Jenosaibā: Kyōkai no Majū, lit."Genocyber: A Cyber Monster from the Imaginary World") is a 1992 Japanese manga series by Tony Takezaki.
The body horror genre is widely represented throughout Japanese horror and within contemporary media, such as anime. [18] Katsuhiro Otomo's 1988 film Akira is an early example of body horror within anime. The film uses the genre to explore the "notion of the adolescent body as a site of metamorphosis, a metamorphosis that can appear monstrous ...
Ero guro art experienced a boom when ero guro nansensu, a subculture characterized as a "prewar, bourgeois cultural phenomenon that devoted itself to explorations of the deviant, the bizarre, and the ridiculous", [3] manifested in the popular culture of Taishō Tokyo during the 1920s. [4]