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This is a list of notable Indian film critics. Omar Qureshi; Anna M. M. Vetticad; Anupama Chopra; Baradwaj Rangan (The New Indian Express, The Hindu) Bikas Mishra; Chidananda Dasgupta; C. S. Venkiteswaran ; Derek Bose; K. N. T. Sastry; Komal Nahta; Kozhikodan (Mathrubhumi, Chandrika) Madhu Eravankara; Mathures Paul (The Statesman) Mayank Shekhar
The awards are the oldest and most prominent film awards given for Hindi films in India. The yearly awards started in 1954. Movie awards were first given by popular vote. Many complained that films of artistic merit rather than commercial appeal were being overlooked, hence a new award category was added, the Best Film (Critics).
The chosen films, along with their English subtitles, are sent to the academy, where they are screened for the jury. [7] The 1957 Hindi film Mother India was India's first submission. The film made it to the final shortlist and was nominated alongside four other films in the category. [8]
Margaret Pomeranz (At the Movies) Dilys Powell (The Sunday Times) Vasiraju Prakasam (Vaartha) Nathan Rabin (The A.V. Club) Rex Reed (New York Observer) B. Ruby Rich (Film Quarterly) Frank Rich (Time, New York) Carrie Rickey (Philadelphia Inquirer) Shirrel Rhoades; Richard Roeper (Chicago Sun-Times, At the Movies with Ebert & Roeper) Jonathan ...
Also: India: People: By occupation: Film people / Critics: Film critics. Subcategories. This category has the following 3 subcategories, out of 3 total. +
This is a list of films produced by the Indian Hindi-language film industry, popularly known Bollywood, based in Mumbai ordered by year and decade of release. Although "Bollywood" films are generally listed under the Hindi language, most are in Hindustani and in Hindi with partial Bhojpuri, Punjabi, Urdu and occasionally other languages.
Tous Les Cinemas du Monde (World Cinema) began in 2005 to showcase films from a variety of different countries. [48] [49] At the 60th Cannes, the first two days of this program held during 19 May to 25 May 2007 featured special screening of Indian films; Saira (2005), Missed Call (2005), Lage Raho Munna Bhai (2006), Dosar (2006), Veyil (2006), Guru (2007), Goal (2007), and Dharm (2007).
Through her articles published in 2013, film critic Alaka Sahani has highlighted facets of cinema beyond glamour and gossip by delving deeper into the contemporary relevance of iconic film makers, hunting down the remnants of yesteryear theatres in Mumbai, investigating the new lease of life given to documentary film makers by the Internet and ...