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Japanese wordplay relies on the nuances of the Japanese language and Japanese script for humorous effect, functioning somewhat like a cross between a pun and a spoonerism. Double entendres have a rich history in Japanese entertainment (such as in kakekotoba ) [ 1 ] due to the language's large number of homographs (different meanings for a given ...
Other superstitions relate to the literal meanings of words. Another significant part of Japanese superstition has its roots in Japan's ancient pagan, animist culture and regards certain natural things as having kami. Thus, many Japanese superstitions involve beliefs about animals and depictions of animals bringing about good or bad fortune. [3]
A kakekotoba (掛詞) or pivot word is a rhetorical device used in the Japanese poetic form waka.This trope uses the phonetic reading of a grouping of kanji (Chinese characters) to suggest several interpretations: first on the literal level (e.g. 松, matsu, meaning "pine tree"), then on subsidiary homophonic levels (e.g. 待つ, matsu, meaning "to wait").
This Japanese compound kotodama combines koto 言 "word; speech" and tama 霊 "spirit; soul" (or 魂 "soul; spirit; ghost") voiced as dama in rendaku.In contrast, the unvoiced kototama pronunciation especially refers to kototamagaku (言霊学, "study of kotodama"), which was popularized by Onisaburo Deguchi in the Oomoto religion.
Omamori, another kind of Japanese talisman, shares the same origin as and may be considered as a smaller and portable version of ofuda. A specific type of ofuda is a talisman issued by a Shinto shrine on which is written the name of the shrine or its enshrined kami and stamped with the shrine's seal.
Japanese: "Come warriors, fight as one, ready in formation, line up and take position in front. Destroy/victory!" Each of the nine syllables has a meaning that when integrated with the corresponding mudra, mantra, and visualization [corresponding deity] manifests sanmitsu kaji [grace, virtue, merit of the Three mysteries].
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Ryōgen (left), 18th chief abbot (zasu) of Enryaku-ji. The omikuji sequence historically commonly used in Japanese Buddhist temples, consisting of one hundred prophetic five-character quatrains, is traditionally attributed to the Heian period Tendai monk Ryōgen (912–985), posthumously known as Jie Daishi (慈恵大師) or more popularly, Ganzan Daishi (元三大師), and is thus called ...