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Timpani is an Italian plural, the singular of which is timpano. However, in English the term timpano is only widely in use by practitioners: several are more typically referred to collectively as kettledrums, timpani, temple drums, or timps. They are also often incorrectly termed timpanis. A musician who plays timpani is a timpanist.
By the 17th century, the timpani moved indoors for good and composers began to demand more from timpanists than ever before. The timpani was first introduced to the court orchestras and opera ensembles as well as in larger church works. [7] Due to this move indoors, a much more formalized way of playing and approaching the timpani was developed.
Timpani: Pitched 211.11-922 Membranophone Also called kettle drums Tingsha: Tibet Unpitched 111.142 Idiophone Tom-tom drum: Pitched 211.211.1 Membranophone Tombak: Iran Unpitched 211.261.1 Membranophone Persian, also known as tombak, donbak and dombak, and as Tombakh Naar in Kashmir Triangle: Cajuns Unpitched 111 Idiophone Triccaballacca: Italy ...
Timbal, tímpano and timpani all derive from the Latin tympănum, from the Greek týmpanon, meaning drum. (The Spanish word for drum, tambor , although similar, actually derives from Arabic tabl ). In Cuba and Latin America, timbales (timpani) were adapted into pailas , which is the name given to various Spanish metallic bowls and pans used as ...
Instruments can have their tone muted with wood, rubber, metal, or plastic devices (for string instruments, mutes are clipped to the bridge; for brass instruments, mutes are inserted in the bell), or parts of the body (guitar; French Horn), or fabric (clarinet; timpani), among other means.
The Concerto Fantasy for Two Timpanists and Orchestra is a double timpani concerto written by Philip Glass in 2000. It is paired with the Cello Concerto on Vol. I of Glass' Concerto Project, a set of eight concerti by the composer. A typical performance of the work lasts 25–28 minutes. [1]
A timpani concerto is piece of music written for timpani with orchestral or band accompaniment. It is usually in three parts or movements . The first timpani concertos were written in the Baroque and Classical periods of music.
In ancient Greece and Rome, the tympanon (τύμπανον) or tympanum, was a type of frame drum or tambourine.It was circular, shallow, and beaten with the palm of the hand or a stick.