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The fireplace in the library, flanked by window seats, contains Grueby tile as well, though in a reddish color. [3] Another, but smaller, fir pocket door leads to the sunroom. Windows and glass doors take up most of the southern and western walls. The doors contains a muntin bar, with a large diamond in the top third of the glass pane. A ...
Grand Neoclassical interior by Robert Adam, Syon House, London Details for Derby House in Grosvenor Square, an example of the Adam brothers' decorative designs. The Adam style (also called Adamesque or the Style of the Brothers Adam) is an 18th-century neoclassical style of interior design and architecture, as practised by Scottish architect William Adam and his sons, of whom Robert (1728 ...
A large, brick fireplace was framed by two windows that included quotes from Shakespeare. The second floor had bedrooms that each had adjoining sitting rooms and sewing rooms. The wall coverings had a leather or metal appearance, known as Lincrusta wall coverings. The ceilings had mouldings, stencils, and faux finishes.
The brick chimney was a prominent feature in Victorian homes, consisting of a fireplace, chimney breast and chimney stack that protruded above the roof line to exhaust smoke. [4] Victorian houses were generally built in terraces or as detached houses. Building materials were brick or local stone.
The choice of paint color on the walls in Victorian homes was said to be based on the use of the room. Hallways that were in the entry hall and the stair halls were painted a somber gray so as not to compete with the surrounding rooms. Most people marbleized the walls or the woodwork.
The former House and School of Industry at 120 West 16th Street in New York City Simon C. Sherwood House (1884), Southport, Connecticut. The British 19th-century Queen Anne style that had been formulated there by Norman Shaw and other architects arrived in New York City with the new housing for the New York House and School of Industry [3] at 120 West 16th Street (designed by Sidney V ...
[10] [11] Initially the settlers built small, one room cottages with stone walls and steep roofs to allow a second floor loft. By 1670 or so, two-story gable-end homes were common in New Amsterdam. [12] In the countryside of the Hudson Valley, the Dutch farmhouse evolved into a linear-plan home with straight-edged gables moved to the end walls.
The American Foursquare or "Prairie Box" was a post-Victorian style, which shared many features with the Prairie architecture pioneered by Frank Lloyd Wright.. During the early 1900s and 1910s, Wright even designed his own variations on the Foursquare, including the Robert M. Lamp House, "A Fireproof House for $5000", and several two-story models for American System-Built Homes.