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The fireplace in the library, flanked by window seats, contains Grueby tile as well, though in a reddish color. [3] Another, but smaller, fir pocket door leads to the sunroom. Windows and glass doors take up most of the southern and western walls. The doors contains a muntin bar, with a large diamond in the top third of the glass pane. A ...
The ablaq decorative technique is thought to possibly be a derivative from the ancient Byzantine Empire, whose architecture used alternate sequential runs of light colored ashlar stone and darker colored orange brick. [3] The first clearly recorded use of ablaq masonry is found in repairs to the north wall of the Great Mosque of Damascus in ...
Grand Neoclassical interior by Robert Adam, Syon House, London Details for Derby House in Grosvenor Square, an example of the Adam brothers' decorative designs. The Adam style (also called Adamesque or the Style of the Brothers Adam) is an 18th-century neoclassical style of interior design and architecture, as practised by Scottish architect William Adam and his sons, of whom Robert (1728 ...
A large, brick fireplace was framed by two windows that included quotes from Shakespeare. The second floor had bedrooms that each had adjoining sitting rooms and sewing rooms. The wall coverings had a leather or metal appearance, known as Lincrusta wall coverings. The ceilings had mouldings, stencils, and faux finishes.
The choice of paint color on the walls in Victorian homes was said to be based on the use of the room. Hallways that were in the entry hall and the stair halls were painted a somber gray so as not to compete with the surrounding rooms. Most people marbleized the walls or the woodwork.
A "face brick" is a higher-quality brick, designed for use in visible external surfaces in face-work, as opposed to a "filler brick" for internal parts of the wall, or where the surface is to be covered with stucco or a similar coating, or where the filler bricks will be concealed by other bricks (in structures more than two bricks thick).