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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
When changing notes, the piston stroke is modified so that it starts above the first note and ends above the second note, ready to strike. Strokes are further divided into four categories of motion. [1]: 25 "Single independent" strokes involve moving the inside or outside mallets singly, pivoting around the shaft of the unused mallet. "Single ...
Cymbals are usually notated with 'x' note heads, drums with normal elliptical note heads and auxiliary percussion with alternative note heads. [1] Non-pitched percussion notation on a conventional staff once commonly employed the bass clef , but the neutral clef (or "percussion clef"), consisting of two parallel vertical lines, is usually ...
Mallet bag showing variety of mallets. A percussion mallet or beater is an object used to strike or beat a percussion instrument to produce its sound. The term beater is slightly more general. A mallet is normally held in the hand while a beater may be a foot or mechanically operated, for example in a bass drum pedal. The term drum stick is ...
The duration (note length or note value) is indicated by the form of the note-head or with the addition of a note-stem plus beams or flags. A stemless hollow oval is a whole note or semibreve, a hollow rectangle or stemless hollow oval with one or two vertical lines on both sides is a double whole note or breve.
Like the glockenspiel, the xylophone is a transposing instrument: its parts are written one octave below the sounding notes. [5] Concert xylophones have tube resonators below the bars to enhance the tone and sustain. Frames are made of wood or cheap steel tubing: more expensive xylophones feature height adjustment and more stability in the stand.
The range of the marimba has been gradually expanding, with companies like Marimba One adding notes up to F above the normal high C (C 7) on their 5.5 octave instrument and marimba tuners adding notes lower than the low C on the 5 octave C 2. Adding lower notes is somewhat impractical; as the bars become bigger and the resonators become longer ...
Because of that, all notes with these kinds of relations can be grouped under the same pitch class and are often given the same name. The top note of a musical scale is the bottom note's second harmonic and has double the bottom note's frequency. Because both notes belong to the same pitch class, they are often called by the same name.