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Bosley Crowther of The New York Times wrote, "For patrons who can take so much precocity, it should be one of the more charming of the miracle child's films. Mr. Oakie and Miss Greenwood make a couple of amusing hoofers, and there are several nice songs to catch the ear.
[49] That year, The New York Times also included the film on its list of "the Best 1,000 Movies Ever Made". [50] In 2011, British director Clio Barnard praised the "real depth" and "healthy ambiguity" of the story and described Holm and Polley as "brilliant", giving "powerful, subtle performances". [ 51 ]
Janet Maslin (The New York Times) Harold McCarthy; Todd McCarthy (Variety, The Hollywood Reporter) Michael Medved (New York Post, Sneak Previews) Nell Minow (rogerebert.com and moviedom.com) Elvis Mitchell (The New York Times, Fort Worth Star-Telegram, Los Angeles Herald Examiner, The Detroit Free Press) Khalid Mohammed (Hindustan Times) Joe ...
In the years before Facebook became little more than a lightning rod for criticism, the social media platform and its cofounder Mark Zuckerberg were the subject of the 2010 film The Social Network.
The New York Film Critics Online (NYFCO) is an organization co-founded by Harvey S. Karten and Prairie Miller in 2000, composed of Internet film critics based in New York City. The group meets once a year, in December, for voting on its annual NYFCO Awards .
He was asked if the project will serve as a sequel of sorts to his 2010 hit film “The Social Network,” directed by David Fincher, which chronicled the rise of Facebook and won Sorkin an Oscar ...
The Social Network premiered at the New York Film Festival on September 24, 2010. Produced on a budget of $40 million, the film grossed $224 million worldwide during its original theatrical run. [4] On the review aggregator website Rotten Tomatoes, the film holds an approval rating of 96% based on 334 reviews. [5]
Francis Bosley Crowther Jr. (July 13, 1905 – March 7, 1981) was an American journalist, writer, and film critic for The New York Times for 27 years. His work helped shape the careers of many actors, directors and screenwriters, though some of his reviews of popular films have been seen as unnecessarily harsh.