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One of the largest and last examples of Art Nouveau decorative glass in Paris is the cupola of the Galeries Lafayette Department store (1912). Early Art Nouveau stained glass generally used traditional techniques and subjects, but usually featured floral themes and women as the central figures.
He designed his panels and murals to fit into the architectural setting and the interests of the client. [citation needed] In 1894, Vuillard and the other Nabis received a commission from art gallery owner Siegfried Bing, who had given Art Nouveau its name, to design stained glass windows to be made by the American firm of Louis Tiffany. Their ...
Our guide to Art Nouveau architecture explores the late 19th-century movement known for flowing lines and organic forms and how it influenced the culture.
In this part of the house, that could also be used for receiving guests, Horta made the maximum of his skills as an interior designer. He designed every single detail: door handles, woodwork, panels and windows in stained glass, mosaic flooring and furnishings. He succeeded in integrating the lavish decoration without masking the general ...
Following the ideas of Viollet-le-Duc, he used modern materials, including an iron frame interior, combined with sculpture by Pierre Roche and ceramic tiles by Alexandre Bigot, who tiles were used in the facades of many Art Nouveau buildings. The open interior with its iron columns and arches was a strikingly modern.
The Tiffany lamp in particular became one of the icons of the Art Nouveau, but Tiffany's craftsmen designed and made extraordinary windows, vases, and other glass art. Tiffany's glass also had great success at the 1900 Exposition Universelle in Paris; his stained glass window called the Flight of Souls won a gold medal. [150]