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Alex Haley's Queen: The Story of an American Family (1993) is a historical novel, later a movie, that brought knowledge of the "children of the plantation" to public attention. Edward Ball's Slaves in the Family (1998), written by a White descendant of slave owners, describes this complex legacy.
Ashley's sack is a mid-1800s cloth sack featuring an embroidered text that recounts the slave sale of a nine-year-old girl named Ashley and the parting gift of the sack by her mother, Rose. Rose filled the sack with a dress, braid of her hair, pecans , and "my love always".
Slave girls in North America often worked within the domestic sphere, providing household help. White families sought the help of a "girl", an "all-purpose tool" in family life. [ 30 ] Although the word "girl" applied to any working female without children, white families preferred slaves because of cost effectiveness.
A woodcut (based on a photograph) that was published in Harper's Weekly on 30 January 1864 with the caption, "Emancipated Slaves, White and Colored.". White slave propaganda was a kind of publicity, especially photograph and woodcuts, and also novels, articles, and popular lectures, about slaves who were biracial or white in appearance. [1]
This was the case with, for example, thralls and American slaves. In other cases, children were enslaved as if they were adults. Usually, the mother's status determined if the child was a slave, but some local laws varied the decision to the father. In many cultures, slaves could earn their freedom through hard work and buying their own freedom.
Slave breeding was the practice in slave states of the United States of slave owners systematically forcing slaves to have children to increase their wealth. [1] It included coerced sexual relations between enslaved men and women or girls, forced pregnancies of enslaved women and girls due to forced inter inbreeding with fellow slaves in hopes ...
Cyane seized four American slave ships in her first year on station. Trenchard developed a good level of co-operation with the Royal Navy. Four additional U.S. warships were sent to the African coast in 1820 and 1821. A total of 11 American slave ships were taken by the U.S. Navy over this period. Then American enforcement activity reduced.
The origin of the mammy figure stereotype is rooted in the history of slavery in the United States, as enslaved women were often tasked with domestic and childcare work in American slave-holding households. The mammy caricature was used to create a narrative of Black women being content within the institution of slavery among domestic servitude.