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Rococo, less commonly Roccoco (/ r ə ˈ k oʊ k oʊ / rə-KOH-koh, US also / ˌ r oʊ k ə ˈ k oʊ / ROH-kə-KOH; French: or ⓘ), also known as Late Baroque, is an exceptionally ornamental and dramatic style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and trompe-l'œil frescoes to create surprise and ...
Once the most rigorous phase of Neoclassicism was over and European political stability had been restored to some degree after the Revolution and the final failure of Napoleon Bonaparte, in the 1830s rococo art returned to the scene through the literature of Gérard de Nerval, Théophile Gautier, and other authors, disillusioned with the ...
One last difference between Baroque and Rococo is the interest that 18th century aristocrats had for East Asia. Chinoiserie was a style in fine art, architecture and design, popular during the 18th century, that was heavily inspired by Chinese art, but also by Rococo at the same time. Because traveling to China or other Far Eastern countries ...
In his stage designs he combined traditional Russian art with some elements of French rococo. [249] Lev Bakst studied at the Parisian Académie Julian and was a pupil of Jean-Léon Gérôme. [75] He combined Russian folk art with modern French art, with a coloristic style noted for its sense of rhythm. [250]
Compared with the 17th century Baroque, Rococo implies a lighter and more playful decorative art; the nude female is frequently featured; chinoiserie is also fashionable. Some of the artists that are most often grouped as "Rococo" are listed below. See as well Régence, Louis XV of France, Palace of Versailles. Antoine Watteau (1684–1721) painter
Baroque – 1600 – 1730, began in Rome . Dutch Golden Age painting – 1585 – 1702; Flemish Baroque painting – 1585 – 1700; Caravaggisti – 1590 – 1650; Rococo – 1720 – 1780, began in France
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Italian Rococo was mainly inspired by the rocaille or French Rococo, since France was the founding nation of that particular style. The styles of the Italian Rococo were very similar to those of France. The style in Italy was usually lighter and more feminine than Italian Baroque art, and became the more popular art form of the settecento.