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A rhythmic motif is the term designating a characteristic rhythmic formula, an abstraction drawn from the rhythmic values of a melody. A motif thematically associated with a person, place, or idea is called a leitmotif or idée fixe. [7] Occasionally such a motif is a musical cryptogram of the name involved.
The spelling leitmotif is a partial anglicization of the German Leitmotiv (IPA: [ˈlaɪtmoˌtiːf] ⓘ), literally meaning "leading motif", or "guiding motif". A musical motif has been defined as a "short musical idea ... melodic, harmonic, or rhythmic, or all three", [1] a salient recurring figure, musical fragment or succession of notes that ...
In music, the BACH motif is the motif, a succession of notes important or characteristic to a piece, B flat, A, C, B natural. In German musical nomenclature , in which the note B natural is named H and the B flat named B , it forms Johann Sebastian Bach 's family name .
In music and jazz improvisation, a melodic pattern (or motive) is a cell or germ serving as the basis for repetitive pattern. It is a figure that can be used with any scale . It is used primarily for solos because, when practiced enough, it can be extremely useful when improvising .
Fortspinnung (English: spinning-forth) is a German term conceived in 1915 [1] to refer to a specific process of development of a musical motif.In this process, the motif is developed into an entire musical structure by using sequences, intervallic changes or simple repetitions.
Media in category "Motifs (music)" The following 2 files are in this category, out of 2 total. Sibelius - Finlandia, Op. 26 opening motive.mid 6.3 s; 307 bytes.
In music, an ostinato (Italian: [ostiˈnaːto]; derived from the Italian word for stubborn, compare English obstinate) is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch.
Thematic transformation (also known as thematic metamorphosis or thematic development) is a musical technique in which a leitmotif, or theme, is developed by changing the theme by using permutation (transposition or modulation, inversion, and retrograde), augmentation, diminution, and fragmentation.