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The chant flourished and spread to the north (Novgorod principally) and southwest. From the sack of Kiev in 1240 and subsequent occupation of the Rus’ by the Mongols until their expulsion in 1480, few resources regarding Russian music date, [4] but what little records exist show little change to the Znamenny chant other than small notational ...
Znamenny Chant (Russian: знаменное пение, знаменный распев) is a singing tradition used by some in the Russian Eastern Orthodox Church. Znamenny Chant is a unison , melismatic liturgical singing that has its own specific notation, called the stolp notation.
The Obikhod (Обиход церковного пения) is a collection of polyphonic Russian Orthodox liturgical chants forming a major tradition of Russian liturgical music; it includes both liturgical texts and psalm settings. The original Obikhod, the book of rites of the monastery of Volokolamsk, was composed about 1575. Among its ...
However, the five original sections (numbers 1, 3, 6, 10, & 11) were so heavily influenced by chant that the composer called them "conscious counterfeits". Rachmaninoff's work is a culmination of the preceding two decades of interest in Russian sacred music, as initiated by Tchaikovsky's setting of the all-night vigil.
Prostopinije (meaning Plain Chant in Church Slavonic) is a type of monodic church chant, closely related to other East Slavic chants such as Galician Samoilka, Kievan Chant and Znamenny chant. Prostopinije is used in the Ruthenian Greek Catholic Church, Slovak Greek Catholic Church, Hungarian Greek Catholic Church, and by the Carpatho-Russian ...
Kyrie XI ("orbis factor")—a fairly ornamented setting of the Kyrie in Gregorian chant—from the Liber Usualis. Kyrie, a transliteration of Greek Κύριε, vocative case of Κύριος (), is a common name of an important prayer of Christian liturgy, also called the Kyrie eleison (/ ˈ k ɪr i. eɪ ɛ ˈ l eɪ. i s ɒ n / KEER-ee-ay el-AY-eess-on; Ancient Greek: Κύριε ...
Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song in Latin (and occasionally Greek) of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions.
Kievan chant, or chant in Kyivan style (Russian: Киевский распев, romanized: Kievskiy raspev; Ukrainian: Київський розспів, romanized: Kyïvs'kyy rozspiv), is one of the liturgical chants common to the Russian Orthodox Church, the Ukrainian Orthodox Church and those churches that have their roots in the Moscow Patriarchate, such as the Orthodox Church in America.