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The title of the painting is spelled in Italian as Monna Lisa (mona being a vulgarity in Italian), which is rare in English, [21] [22] [23] where it is traditionally spelled Mona. [ 24 ] Lisa del Giocondo was a member of the Gherardini family of Florence and Tuscany , and the wife of wealthy Florentine silk merchant Francesco del Giocondo. [ 25 ]
Mona Lisa, by Leonardo da Vinci, Louvre Museum The 16th-century portrait Mona Lisa, or La Gioconda (La Joconde), painted in oil on a poplar panel by Leonardo da Vinci, has been the subject of a considerable deal of speculation. Columns and trimming Early copy of the Mona Lisa at the Walters Art Gallery, Baltimore, showing columns on either side of the subject It has for a long time been argued ...
There's question as to whether it was intentional, but new research into a second painting attributed. Art historians say Leonardo da Vinci hid an optical illusion in the Mona Lisa's face: she ...
Leonardo da Vinci’s Mona Lisa — one of the most famous paintings in the world — is shrouded in mystery; from questions around the figures identity, to her puzzling, enigmatic expression.
A replica of Mona Lisa publicized as the "world's smallest" was painted by Andrew Nichols of New Hampshire (USA) in 2011, intending "to break the record." Recreated at a 70:1 ratio, the miniature Mona Lisa measures approximately 1/4 by 7/16 inches (7 by 11 mm). Although his rendition drew media attention, it was never officially reported ...
An Italian historian believes he's solved one of the biggest mysteries of Leonardo's famous Mona Lisa painting: the location of the bridge in the backdrop.
Konody observed of the Isleworth subject that "[t]he head is inclined at a different angle". [29] Physicist John F. Asmus, who had previously examined the Mona Lisa in the Louvre and investigated other works by Leonardo, published a computer image processing study in 1988 concluding that the brush strokes of the face in the painting were performed by the same artist responsible for the brush ...
The use of this lead oxide powder to thicken and dry the Mona Lisa’s base layer was likely a fresh approach to painting in the early 1500s, but one that became common practice.