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The National Afrikaans Literary Museum and Research Centre (Afrikaans: Nasionale Afrikaanse Letterkundige Museum en Navorsingsentrum, NALN) is a central archive for material and information on the history, development, and scope of literature, music, and drama in the Afrikaans language.
Boeremusiek is a genre steeped in the history of Afrikaner identity and politics, but it also reflects the complex intersections of race, class, and culture in South African music. Its evolution from a hybrid form of folk music to a symbol of white Afrikaner nationalism complicates simple narratives about its origins and meanings.
The South African Music Encyclopedia (Suid-Afrikaanse Musiekensiklopedie, or SAME) is an encyclopedia of South(ern) African musicians and music. Its four volumes were published in 1979, [ 1 ] 1982, [ 2 ] 1984, [ 3 ] and 1986 [ 4 ] under the editorship of Afrikaans music scholar Jacques Philip Malan in both English and Afrikaans.
Bosman di Ravelli (born Jan Gysbert Hugo Bosman; February 24, 1882 – May 20, 1967) was a South African concert pianist, composer, and writer. He was known for his contributions to South African music, particularly the Afrikaans art song, and for his performances across Europe in the early 20th century.
Music is an integral part of communal life in Africa. [4] African music is made for both public enjoyment and public participation, and it is this social bonding over music that informed Christopher Small's idea of musicking. [5] In Africa, music is used as an avenue for social commentary and moralism.
The music of South Africa exhibits a culturally varied musical heritage in conjunction with the multi-ethnic populace.Genres with the greatest international recognition being mbube, isicathamiya, mbaqanga, afrofusion, kwaito, South African pop music, afro house, South African hip hop, Shangaan electro, bacardi house, bolo house, gqom and amapiano.
Benga is a genre of Kenyan popular music.It evolved between the late 1940s and late 1960s, in Kenya's capital city of Nairobi.In the 1940s, the African Broadcasting Service in Nairobi aired a steady stream of soukous, South African kwela, Congolese finger-style guitar and various kinds of Cuban dance music that heavily influenced emergence of benga.
However, in the 1990s, a particular type of music for pantsula emerged: kwaito. This multilingual music is typical of the myriad of cultures in South Africa, and is a blend of seSotho, isiZulu, English, and Afrikaans. It is strong and sharp, like pantsula, and projects a streetwise, gangster image. [3]