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In the medieval period crests would always have faced the same way as the helm, but as a result of these rules, the directions of the crest and the helm might be at variance: a knight whose crest was a lion statant, would have the lion depicted as looking over the side of the helm, rather than towards the viewer. [13]
A coat of arms is a heraldic visual design [1] on an escutcheon (i.e., shield), surcoat, or tabard (the last two being outer garments). The coat of arms on an escutcheon forms the central element of the full heraldic achievement, which in its whole consists of a shield, supporters, a crest, and a motto.
It is also the lord's main physical protection. The coat of arms thus combines the emblem of the lordship with the body of its owner. In medieval iconography, it is positively connoted and commonly worn by defenders of the Good. It also became a symbol of peace and justice. [Ha 2] [Ha 5]
Heraldry developed in the High Middle Ages based on earlier traditions of visual identification by means of seals, field signs, emblems used on coins, etc. Notably, lions that would subsequently appear in 12th-century coats of arms of European nobility have pre-figurations in the animal style of ancient art (specifically the style of Scythian art as it developed from c. the 7th century BC).
The German Hyghalmen Roll was made in the late 15th century and illustrates the German practice of repeating themes from the arms in the crest. (See Roll of arms).. Heraldry is a discipline relating to the design, display and study of armorial bearings (known as armory), as well as related disciplines, such as vexillology, together with the study of ceremony, rank and pedigree.
19th-century German heraldry has examples of shields with numerous crests, as this arms of Saxe-Altenburg featuring a total of seven crests. Some thaler coins display as many as fifteen. Example of complex achievements in 19th-century Spanish heraldry : Coat of arms of Baldomero Espartero, Prince of Vergara (1793–1879).
In Saxony, a black wolf rampant on a yellow shield features on the crest of von Wolfersdorf family. A green wolf grasping a dead swan in its jaws on a yellow shield is depicted on the crest and Arms of the Counts von Brandenstein-Zeppelin. In Italian heraldry, the attributed arms of Romulus and Remus were said to depict the Capitoline Wolf. An ...
The German heraldic tradition is noted for its scant use of heraldic furs, multiple crests, inseparability of the crest, and repetition of charges in the shield and the crest. Mullets have six points (rather than five as in Gallo-British heraldry), and beasts may be colored with patterns, (barry, bendy, paly, chequy, etc.). [2]