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There is less unity in the imitation of the epic poets (plurality of actions) and this is proved by the fact that an epic poem can supply enough material for several tragedies. Aristotle also draws a famous distinction between the tragic mode of poetry and the type of history-writing practiced among the Greeks.
Kullervo, a tragic hero from the Karelian and Finnish Kalevala. The influence of the Aristotelian hero extends past classical Greek literary criticism.Greek theater had a direct and profound influence on Roman theater and formed the basis of Western theater, with other tragic heroes including Macbeth in William Shakespeare's The Tragedy of Macbeth, and Othello in his Othello. [4]
The poem was performed by professional reciters of Homer known as rhapsodes at Greek festivals such as the Panathenaia. [7] [8] Critical themes in the poem include kleos (glory), pride, fate, and wrath. [9] Despite being predominantly known for its tragic and serious themes, the poem also contains instances of comedy and laughter. [10]
The poems in Lyrical Ballads were mostly by Wordsworth, though Coleridge contributed one of the great poems of English literature, [21] the long Rime of the Ancient Mariner, a tragic ballad about the survival of one sailor through a series of supernatural events on his voyage through the South Seas, and involves the symbolically significant ...
For much of the 17th century, Pierre Corneille, who made his mark on the world of tragedy with plays like Medée (1635) and Le Cid (1636), was the most successful writer of French tragedies. Corneille's tragedies were strangely un-tragic (his first version of Le Cid was even listed as a tragicomedy), for they had happy endings. In his ...
The Tragical History of Romeus and Juliet is an English language narrative poem by Arthur Brooke, first published in 1562 by Richard Tottel, which was a key source for William Shakespeare’s Romeo and Juliet. [1] It is a translation and adaptation of a French story by Pierre Boaistuau, itself derived from an Italian novella by Matteo Bandello.
The story as told in the ballad has multiple versions, but they all follow the same basic plot. The King of Scotland has called for the greatest sailor in the land to command a ship for a royal errand. The name "Sir Patrick Spens" is mentioned by a courtier, and the king despatches a letter.
Lyric poems often employed highly varied poetic meters. The most famous of all lyric poets were the so-called "Nine Lyric Poets". [21] Of all the lyric poets, Sappho of Lesbos (c. 630 – c. 570 BC) was by far the most widely revered. In antiquity, her poems were regarded with the same degree of respect as the poems of Homer. [22]