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Art tends to have a way to reach people's emotions on a deeper level and when creating art, it is a way for them to release the emotions they cannot otherwise express. There is a professional denomination within psychotherapy called art therapy or creative arts therapy in which deals with diverse ways of coping with emotions and other cognitive ...
Psychologists have found that a person's level of expertise in art influences how they perceive, analyze, and interact with art. [81] To test psychologically, scales have been designed to test experience rather than just years of expertise by testing recognition and knowledge of artists in a number of fields, fluid intelligence, and personality ...
In Western art, portraiture captures the exact physical resemblance of a person as well as his/her inner qualities. Ancient Egyptian art had religious roots and functions, and therefore, the result is quite different. To assess ancient Egyptian art and portraiture, it must be examined on its own terms and within its specific cultural context.
The philosophy of art specifically studies how artists imagine, create, and perform works of art, as well as how people use, enjoy, and criticize art. Aesthetics considers why people like some works of art and not others, as well as how art can affect our moods and our beliefs. [ 5 ]
Theories of aesthetic response [1] or functional theories of art [2] are in many ways the most intuitive theories of art. At its base, the term "aesthetic" refers to a type of phenomenal experience, and aesthetic definitions identify artworks with artifacts intended to produce aesthetic experiences. Nature can be beautiful and it can produce ...
In practice, perceptual art may be interpreted as the engagement of multi-sensory experiential stimuli combined with the multiplicity of interpretive meanings on the part of an observer. Sometimes, the role of observer is obscured as members of the public may unwittingly or unknowingly be participants in the creation of the artwork itself.
This conflict within academia about artistic integrity continued throughout the 1960s where the Soviet graphic artist Vladimir Favorsky measured and defined artistic integrity according to how much a work of art showcased the time investment an artist dedicated to a piece. He argued that to do so would require artists to forgo their persona ...
The viewpoint of visual art is fundamental because every different perspective views different angled lines. This change of perspective elicits a different response to the image. Changing the air only by some degrees or some centimeters lines in embodiments can vary tremendously, and a distinct feeling can be transported.