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An Akha woman from Myanmar with blackened teeth. Teeth blackening or teeth lacquering is a custom of dyeing one's teeth black. It was most predominantly practiced in Southeast Asian and Oceanic cultures, particularly among Austronesian, Austroasiatic, and Kra–Dai-speaking peoples.
The song contains a description of Thingyan sense on Mandalay Hill and Nandar Lake. The song was selected as one of the greatest Thingyan theme songs of all time. [2] [3] Since "Man Taung Yeik Kho" song was a national legacy song of Thingyan festival, as the saying goes, "Thingyan will not be complete without Man Taung Yeik Kho ". [4]
Classical music was also introduced during the British occupation. Cult folk musician Nick Drake was born in Burma during British rule. Rock music, called stereo in Burmese, has been a popular form of music since the 1980s, having been introduced in the 1960s. [10] Pop music emerged in the 1970s and was banned by state-run radio stations.
On 27 June 1936, the Dobama Song was declared as the national anthem of Burma at the second conference of Dobama Asiayon held in Myingyan. [6] Since then, Burmese nationalist sang Dobama Song instead of God Save the King. The State of Burma, a Japanese puppet state, officially adopted the Dobama Song as its state anthem in 1943. [7]
Htet Yan was born on 18 October 1994 in Meiktila, Mandalay Region, Myanmar to Aye Thein and Kyu Kyu. He is the youngest son of two siblings, having an elder brother. He attended high school at Basic Education High School No. 1 Meiktila.
May Thet Htar Swe (Burmese: မေသက်ထားဆွေ; born 10 January 2003 [1]) is a traditional Burmese classical, country, and dhamma singer. [2] She began her career as a child, and is known both for her mastery of songs from the Burmese classical tradition and her musical versatility, which spans several genres.
In 1955, she gained national recognition as a singer with the song "Playing on the Rainbow". [4] By the 1980s, 80% of film soundtracks were sung by Mar Mar Aye. [4] In 1961, she worked as an assistant broadcaster at Myanmar Radio. She was also an executive member of Myanmar's Modern Music Council and a committee member of Gita Padaytha Magazine.
The film's namesake comes from an eponymous song, which was written by an anonymous composer in the early 20th century. [3] It remains a popular classic performed on radio and performances, including a prominent cover by a classical singer named Tin Tin Mya .