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The paraphrased saying, though widely attributed to Plato's Socrates in both ancient and modern times, actually occurs nowhere in Plato's works in precisely the form "I know I know nothing." [7] Two prominent Plato scholars have recently argued that the claim should not be attributed to Plato's Socrates. [8] Evidence that Socrates does not ...
It is set in the last hours prior to the death of Socrates, and is Plato's fourth and last dialogue to detail the philosopher's final days, following Euthyphro, Apology, and Crito. One of the main themes in the Phaedo is the idea that the soul is immortal .
8. “No one knows whether death, which people fear to be the greatest evil, may not be the greatest good.” 9. “I am the wisest man alive, for I know one thing, and that is that I know nothing.”
This quote emphasizes the importance of self-awareness and questioning one's beliefs, actions, and purpose in life. [2] The words were supposedly spoken by Socrates at his trial after he chose death, rather than exile. They represent (in modern terms) the noble choice, that is, the choice of death in the face of an alternative. [3]
In all probability, Socrates' claim is a literary device that Plato uses, as some of the events that will be mentioned in the speech happened after Aspasia’s death. [3] Menexenus is eager to listen but Socrates is reluctant at first, as he believes that Aspasia might become angry at him for publishing her speech.
Plato's Cosmology: The Timaeus of Plato, Translated with a Running Commentary. Indianapolis: Hackett Publishing Company, Inc. ISBN 978-0-87220-386-0. Gregory, A. (2000). Plato's Philosophy of Science. London: Duckworth. Kalderon, Mark Eli (2023). Cosmos and Perception in Plato's Timaeus: In the Eye of the Cognitive Storm. Taylor & Francis.
Phaedrus claims that to be a good speechmaker, one does not need to know the truth of what he is speaking on, but rather how to properly persuade, [Note 38] persuasion being the purpose of speechmaking and oration. Socrates first objects that an orator who does not know bad from good will, in Phaedrus's words, harvest "a crop of really poor ...
The Theaetetus is one of the few works of Plato that gives contextual clues on the timeline of its authorship: The dialogue is framed by a brief scene in which Euclid of Megara and his friend Terpsion witness a wounded Theataetus returning on his way home after from fighting in an Athenian battle at Corinth, from which he apparently died of his wounds.