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A sheet music cover for a coon song which is titled "Coon, Coon, Coon" with a photograph of minstrel show star Lew Dockstader in blackface. Coon songs were a musical genre of songs based on heavily stereotyped portrayals of Black people. Coon songs resembled and were often synonymous with the music performed at minstrel shows. Because of this ...
The predominantly white music scene of the time also produced a number of songs protesting racial discrimination, including Janis Ian's "Society's Child (Baby I've Been Thinking)" in 1966, about an interracial romance forbidden by a girl's mother and frowned upon by her peers and teachers and a culture that classifies citizens by race. [48]
White power music is music that promotes white nationalism. It encompasses various music styles, including rock, country, and folk. [1] [2] Ethnomusicologist Benjamin R. Teitelbaum argues that white power music "can be defined by lyrics that demonize variously conceived non-whites and advocate racial pride and solidarity. Most often, however ...
Hip hop music, developed in the South Bronx in the early 1970s, has long been tied to social injustice in the United States, particularly that of the African American experience. Hip hop artists have spoken out in their lyrics against perceived social injustices such as police brutality , poverty , mass incarceration , and the war on drugs .
On a hot summer day in 1963, more than 200,000 demonstrators calling for civil rights joined Dr. Martin Luther King Jr. for the March on Washington for Jobs and Freedom.
Anti-racist strategies also include confronting the racial microaggression by outwardly challenging and disagreeing against the microaggression that harms a person of color. Microinterventions such as a verbal expression of "I don't want to hear that talk" and physical movements of disapproval are ways to confront microaggressions.
The cancellation of a play at Texas Wesleyan University prompts questions about racial slurs in art
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