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Imee Ooi FRSA [citation needed] (/ ˈ iː m iː ˈ w uː i / EE-mee WOO-ee; Chinese: 黃慧音; pinyin: Huáng Huìyīn; Jyutping: Wong4 Wai6 Jam1; Pe̍h-ōe-jī: Ûiⁿ Hūi-im) is a Chinese-Malaysian record producer, composer, and singer who composes and arranges music for classic Buddhist chant, mantra, and dharani.
This category includes songs, albums and artists in the music industry that 1) express authentic Buddhist themes or 2) utilize Buddhist imagery and concepts. Subcategories This category has only the following subcategory.
Singing Dharma songs is an extraodinarily skillful and enjoyable Buddhist practice technique that Rinpoche has introduced to his students in a variety of ways: Rinpoche himself sings regularly; he has given illuminating explanations of the profound songs of the great masters; has composed many of his own songs; and has instructed and encouraged ...
Idappaccayatā (Pali, also idappaccayata; Sanskrit: idaṃpratyayatā) is a Buddhist term that is translated as "specific conditionality" or "this/that conditionality". It refers to the principle of causality: that all things arise and exist due to certain causes (or conditions), and cease once these causes (or conditions) are removed.
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Pages from the Charyapada. The original palm-leaf manuscript of the Charyapada, or Caryācaryāviniścaya, spanning 47 padas (verses) along with a Sanskrit commentary, was edited by Shastri and published from Bangiya Sahitya Parishad as a part of his Hajar Bacharer Purano Bangala Bhasay Bauddhagan O Doha (Buddhist Songs and Couplets) in 1916 under the name of Charyacharyavinishchayah.
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Sung in a characteristic high pitch by a trained professional singer and monk, for special ritual occasions. The term boempae sometimes refers specifically to these kinds of chants, the most ancient of Korean Buddhist ritual chants. hwacheong (화청), secular Buddhist ritual chants, in vernacular Korean, easily understood by listeners. [3] [4]