Search results
Results From The WOW.Com Content Network
Calcagnetti (Chopine)- Correr Museum. A chopine is a type of women's platform shoe that was popular in the 15th, 16th and 17th centuries. Chopines were originally used as a patten, clog, or overshoe to protect shoes and dresses from mud and street soil. In Venice both courtesans and patrician women frequently wore chopines c. 1400 to 1700.
In music history, the Venetian School was the body and work of composers working in Venice from about 1550 to around 1610, many working in the Venetian polychoral style.The Venetian polychoral compositions of the late sixteenth century were among the most famous musical works in Europe, and their influence on musical practice in other countries was enormous.
The city of Venice in Italy has played an important role in the development of the music of Italy.The Venetian state—i.e. the medieval and Early Modern Maritime Republic of Venice—was often popularly called the "Republic of Music", and an anonymous Frenchman of the 17th century is said to have remarked that "In every home, someone is playing a musical instrument or singing.
Women in Music play many roles and are responsible for a broad range of contributions in the industry. Women continue to shape movements, genres, and trends as composers, songwriters, instrumental performers, singers, conductors, and music educators. Women's music, which is created by and for women, can explore women's rights and feminism ...
Her music brought tourists to hear her and the orchestra play. An anonymous poet wrote that when she played, countless angels dared to hover near. In 1720, at the age of 24, she was dubbed "Maestra", and by 1737 she had attained the leadership posts of maestra di violino and maestra di coro .
The 2024 Billboard Women in Music event honored some of our faves, including Tems, Victoria Monét and Ice Spice. Hosted by Tracee Ellis Ross , the awards show was full of entertainment, laughs ...
His larger scale works such as sonatas, the four scherzi, the four ballades, the Fantaisie in F minor, Op. 49, and the Barcarole in F ♯ major, Op. 60 have cemented a solid place within the repertoire, as well as shorter works like his polonaises, mazurkas, waltzes, impromptus, rondos, and nocturnes taking a substantial portion of recorded and ...
It didn't matter if Tame Impala was led by five women or five men, we knew that we wanted that style of music and that band on at that time." Ultimately, the problem with getting more female-led acts onto festival stages is the same problem all industries face in trying to make women more visible players: Sexism is systemic and often subtle.