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Ludwig van Beethoven's Symphony No. 10 in E♭ major is a hypothetical work, assembled in 1988 by Barry Cooper from Beethoven's fragmentary sketches for the first movement. . All the sketches assembled were clearly intended for the same symphony, which would have followed the Ninth, since they appear together in several small groups, and there is consensus that Beethoven did intend to compose ...
Symphony No. 10 may refer to: Symphony No. 10 (Beethoven/Cooper) in E-flat major, sketched by Ludwig van Beethoven, c. 1827, assembled by Barry Cooper, 1988 Beethoven's Tenth, nickname of Symphony No. 1 (Brahms) in C minor (Op. 68) by Johannes Brahms, 1855–76
Symphony No. 10 (Beethoven/Cooper) K. Karajan: Beethoven Symphonies (1963) N. Beethoven's 5th (Nikisch recording) This page was last edited on 28 February 2024, at 10 ...
Title page of Beethoven's symphonies from the Gesamtausgabe. The list of compositions of Ludwig van Beethoven consists of 722 works [1] written over forty-five years, from his earliest work in 1782 (variations for piano on a march by Ernst Christoph Dressler) when he was only eleven years old and still in Bonn, until his last work just before his death in Vienna in 1827.
Bryan, Paul, Johann Waṅhall, Viennese Symphonist: His Life and His Musical Environment Stuyvesant: Pendragon Press (1997) Hill, George R.: "Thematic Index" in The Symphony 1720–1840 Series B - Volume X, ed. Barry S. Brooks (New York & London, 1981) ISBN 0-8240-3807-X
Cooper is best known for his books on Beethoven, as well as a completion and realization of Beethoven's fragmentary Symphony No. 10. Having extensively studied Beethoven's sketchbooks and written a book about them, Beethoven and the Creative Process, Cooper felt confident enough to identify the sketches for the individual movements of the ...
The symphony is clearly indebted to Beethoven's predecessors, particularly his teacher Joseph Haydn as well as Wolfgang Amadeus Mozart, but nonetheless has characteristics that mark it uniquely as Beethoven's work, notably the frequent use of sforzandi, as well as sudden shifts in tonal centers that were uncommon for traditional symphonic form (particularly in the third movement), and the ...
Symphony No. 5 "Nature of the Steppe" (Two versions are available) Symphony No. 7 "By Tordenskjold in Holmen Church" (Two versions are available) Symphony No. 8 "Memories at Amalienborg" (1926–45) Symphony No. 9 "From Queen Dagmar's City" (1942) George Lloyd: Symphony No. 3 (1933) [3] Giuseppe Martucci: Symphony No. 2 , Op. 81 (1904) [27]