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Betty Nobue Kano was born in Sendai, Japan in 1944.She emigrated to the United States and got her B.A. degree in Fine Arts and Painting from San Francisco State College in 1967 and her Masters in Fine Arts from the University of California, Berkeley.
One of the most fundamental elements of art is the line. An important feature of a line is that it indicates the edge of a two-dimensional (flat) shape or a three-dimensional form. A shape can be indicated by means of an outline, and a three-dimensional form can be indicated by contour lines. [1]
A white cross-shaped bandage symbol denotes pain. [D 3]: 55 In older manga, eyes pop out to symbolize pain, as shown in Dragon Ball. [citation needed] Thick black lines around the character may indicate trembling due to anger, shock or astonishment. [5] [D 3]: 107 This is usually accompanied by a rigid pose or super deformed styling.
Clamp originally began in the mid-1980s [4] as an eleven-member dōjinshi circle, to fill a booth vacancy at Dream Comic, a doujin event in Osaka. To fill a vacancy next to Yun Kōga's CLUB/Y booth, they called themselves CLAMP, since club and clamp both started with kura (クラ) in Katakana spelling, and the booths were sorted according to gojūon order.
Japanese art consists of a wide range of art styles and media that includes ancient pottery, sculpture, ink painting and calligraphy on silk and paper, ukiyo-e paintings and woodblock prints, ceramics, origami, bonsai, and more recently manga and anime. It has a long history, ranging from the beginnings of human habitation in Japan, sometime in ...
Ai Yazawa (矢沢 あい, Yazawa Ai, born March 7, 1967) is a Japanese manga artist and illustrator. Yazawa debuted as a manga artist with her short story Ano Natsu (1985). She gained mainstream popularity in the 1990s and 2000s with her series Tenshi Nanka ja Nai (1991), Neighborhood Story (1995), Paradise Kiss (1999), and Nana (2000), [1] the latter being one of the best-selling manga series.
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[7] [8] His first paid project was for the Speed Racer anime franchise. He was a character designer for anime shows such as Time Bokan, Gatchaman, Tekkaman, and Honeybee Hutch. [9] In the 1960s, Amano was exposed to Western art styles through comic books, which he claims among his artistic roots.