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Later armets have a visor. A stereotypical knight's helm. Favoured in Italy. Close helmet or close helm: 15th to 16th century: A bowl helmet with a moveable visor, very similar visually to an armet and often the two are confused. However, it lacks the hinged cheekplates of an armet and instead has a movable bevor, hinged in common with the ...
During the 1490s, emperor Maximilian I invested a great deal of effort in perfecting the sport, for which he received his nickname of "The Last Knight". Rennen and Stechen were two sportive forms of the joust developed during the 15th century and practiced throughout the 16th century.
Though in English the term man-at-arms is a fairly straightforward rendering of the French homme d'armes, [b] in the Middle Ages, there were numerous terms for this type of soldier, referring to the type of arms he would be expected to provide: In France, he might be known as a lance or glaive, while in Germany, Spieß, Helm or Gleve, and in various places, a bascinet. [2]
While the term "Gothic" in art history covers the 12th to 15th centuries, Gothic plate armour develops only during 1420–1440s, when the technological development of armour reached the stage where full plate armour (including movable joints) was made, and national styles of "white armour" began to emerge, specifically German ("Gothic") and Italian (Milanese).
The cavalieri bagnati, or knights of the bath, were invested with elaborate ceremonies in which they were washed of all impurities. The cavalieri di scudo, or knights of the shield, were men who had been made knights by princes or states. The cavalieri d'arme, or knights of arms, were soldiers who were created knights before or after a battle.
The frog-mouth helm (or Stechhelm meaning "jousting helmet" in German) was a type of great helm, appearing from around 1400 and lasting into the first quarter of the 16th century. [1] The helmet was primarily used by mounted knights for tournaments ( jousting ) rather than on the battlefield.
Several tomb effigies and paintings of 1400–1500 show extremely rounded, bulbous breastplates – as I have said (page 82), this was often an alternative to the boxed Kastenbrust style ... [ 4 ] Such armour of the first half of the 15th century are separated by Oakeshott from kastenbrust armour as alwite armour.
With England and France mired in the Hundred Years War and its aftermath and then the English Wars of the Roses through most of the 15th century, European fashion north of the Alps was dominated by the glittering court of the Duchy of Burgundy, especially under the fashion-conscious power-broker Philip the Good (ruled 1419–1469).