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Joachim Patinir, also called Patenier (c. 1480 – 5 October 1524), was a Flemish Renaissance painter of history and landscape subjects. He was Flemish , from the area of modern Wallonia , [ 1 ] but worked in Antwerp , then the centre of the art market in the Low Countries .
Blue was used in ancient Egypt for jewelry and ornament. [1] In the Renaissance, blue pigments were prized for paintings and fine blue and white porcelain. In the Middle Ages, deep rich blues made with cobalt were used in stained glass windows. In the 19th century, the color was often used for military uniforms and fashion.
During the Renaissance, ultramarine was the finest and most expensive blue that could be used by painters. Color infrared photogenic studies of ultramarine in 13th and 14th-century Sienese panel paintings have revealed that historically, ultramarine has been diluted with white lead pigment in an effort to use the color more sparingly given its ...
Azurite was frequently used in European Renaissance painting. It appears, for example, in the dark blue sky of a Spanish altarpiece painting by Bartolome Bermejo. [8] In this painting, azurite is also combined with lead white to paint the green robe of the Saint. [8] During this time, azurite was a common pigment used to paint a blue sky. [1]
The Descent from Mount Sinai is a fresco by the Italian Renaissance painter Cosimo Rosselli and his assistants, executed in 1481–1482 and located in the Sistine Chapel, Rome. It depicts the prophet Moses in the process of receiving and introducing the Ten Commandments .
This tradition can trace its origin to the Byzantine Empire, from circa 500 AD, where blue was "the color of an empress". A more practical explanation for the use of this color is that in Medieval and Renaissance Europe, the blue pigment was derived from the rock lapis lazuli, a stone imported from Afghanistan of greater value than gold. Beyond ...
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