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Notable makers born in German speaking states who emigrated to other countries are included here, but listed under the color of the building tradition in which they made their name. Harpsichord building was often considered a lesser side job for organ builders, while some few were specialized in either harpsichord or clavichord building. [1]
Harpsichord building in England only achieved great distinction in the 18th century with the work of two immigrant makers, Jacob Kirckman (from Alsace) and Burkat Shudi (from Switzerland). The harpsichords by these builders have been described by the famous builder-scholar Frank Hubbard as "possibly the culmination of the harpsichord maker's ...
For companies noted for manufacturing harpsichords, see Category:Harpsichord manufacturing companies. Subcategories This category has only the following subcategory.
William Dowd playing a 1987 Dowd Harpsichord. William Richmond Dowd (28 February 1922 – 25 November 2008) was an American harpsichord maker and one of the most important pioneers of the historical harpsichord movement.
Martin Skowroneck in 2013 Flemish harpsichord soundboard built by Skowroneck, 1961 (Franz Hermann) Martin Skowroneck (21 December 1926, in Berlin – 14 May 2014, in Bremen) [1] was a German harpsichord builder, one of the pioneers of the modern movement of harpsichord construction on historical principles.
Musicians who play the harpsichord are known as harpsichordists. This list includes post 19th-century harpsichordists. This list includes post 19th-century harpsichordists. Notable earlier harpsichordists mostly appear on the list of Baroque composers .
The rapid development of the historic harpsichord in this decade was fuelled by the popularity of the harpsichord kit, produced by several companies including Zuckermann and the Boston-based Hubbard Harpsichords Inc. During the 1970s, Way gradually abandoned the more usual modern materials of plywood, hard steel wire and zither tuning pins.
The harpsichord was played by John S. Beckett for the first time in public in 1959 as the continuo for Bach's Saint Matthew Passion and was praised in the national press. [ 17 ] [ 18 ] Beckett subsequently persuaded the authorities in the Guinness Brewery to provide Gannon with a special workshop, in which he made five harpsichords and restored ...