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Ardhanarishvara conveys that Shiva and Shakti are one and the same, an interpretation also declared in inscriptions found along with Ardhanarishvara images in Java and the eastern Malay Archipelago. [ 3 ] [ 9 ] The Vishnudharmottara Purana also emphasizes the identity and sameness of the male Purusha and female Prakriti, manifested in the image ...
The deity Shiva is sometimes represented in his panchamukha aspect, each connoting one of his attributes: [11] [12] His upward face is called iśānam, and represents knowledge and nature. It is supposed to be depicted in a copper hue. His eastern face is called tatpuruṣam, and represents the organs of touch and action.
The iconography of Lingodbhava represents Shiva emerging out of the pillar of light, with smaller images of Vishnu in the form of a boar in the bottom and Brahma in the form of a gander at the top. The icon depicts the legend of the origin of the linga , Shiva's aniconic representation, often featured in his worship.
Uma–Maheshvara, central India, probably late 1000s to 1100s AD, buff sandstone, Dallas Museum of Art. Uma–Maheshvara (Sanskrit: उमामहेश्वर, romanized: Umāmaheśvara) is a form of the divine couple, Shiva (Maheshvara) and Parvati (Uma), in Hindu iconography.
Somaskanda, Salar Jung Museum. In the Somaskanda representation, Shiva is seated in the sukhasana pose, with his left leg folded and depicted with four hands. His upper two hands perform the kartarimukha-hasta, holding a Mazhu (மழு) (Axe) in the right, and a deer in the left.
The Ekapada-Trimurti, found in South India, demonstrates the sectarian mission of the Shaivas (sect of Shiva) to establish their Shiva as the Supreme God and to illustrate that Vishnu and Brahma emerged from him. A similar Vaishnava (sect of Vishnu) icon depicts Vishnu in the central position and Shiva and Brahma emerging from his body. [15]
[13] [20] [21] The oldest free-standing stone sculptures of Nataraja were built by Chola queen Sembiyan Mahadevi. [50] Nataraja gained special significance and became a symbol of royalty in Tamil Nadu. The dancing Shiva became a part of Chola era processions and religious festivals, a practice that continued thereafter. [55]
The trishula has a number of interpretations in Hindu belief. The three points of the weapon have various meanings and significance have many stories behind them. They are commonly said to represent various trinities: creation, preservation, and destruction; past, present, and future; body, mind and atman; Dharma (law and order), bliss/mutual enjoyment and emanation/created bodies; compassion ...