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Dual began producing turntables under that name the same year. [1] [2] After World War II, Dual became the biggest manufacturer of turntables in Europe, with more than 3,000 employees working in several factories. Throughout the 1970s, 1980s, and 1990s, Dual introduced audio cassette players, VCRs, CD players, and other consumer electronics.
Prior to the introduction of the Disk II, cassette was the main storage medium for Apple machines. Here an Apple II is using a Panasonic tape deck. The Apple I introduced an expansion-card based cassette system similar to KCS, recording a single cycle of 2000 Hz for a space and a single cycle of 1000 Hz for a mark. This resulted in an average ...
Cassette decks reached their pinnacle of performance and complexity by the mid-1980s. [citation needed] Cassette decks from companies such as Nakamichi, Revox, and Tandberg incorporated advanced features such as multiple tape heads and dual capstan drive with separate reel motors. Auto-reversing decks became popular and were standard on most ...
The RX-505 is not a compromise as many assumed but the very best method of maintaining azimuth without using the costly, complex and somewhat fragile NAAC system even though the Akai GXC-65D was the first cassette deck to actually use this method where the cassette would flip over instead of the head being rotated but was done in a top-loading ...
The first boombox was developed by the inventor of the audio compact cassette, Philips of the Netherlands.Their first 'Radiorecorder' was released in 1966. The Philips innovation was the first time that radio broadcasts could be recorded onto cassette tapes without the cables or microphones that previous stand-alone cassette tape recorders required.
With the introduction of the IBM System/360 mainframe, 9-track tapes were introduced to support the new 8-bit characters that it used. The end of a file was designated by a special recorded pattern called a tape mark, and end of the recorded data on a tape by two successive tape marks. The physical beginning and end of usable tape was indicated ...
Some typical cassette deck frequency response curves showing the effects of different bias settings are provided in the relevant figure. Time constant of replay equalization (often shortened to EQ) for Type I tapes equals 120 μs, as per the Philips specification. The time constant for Type II, III and IV tapes is set at a lower value of 70 μs.
The Hi-MD format, introduced in 2004, marked a return to the data storage arena with its 1 GB discs and ability to act as a USB drive. [22] Hi-MD units allow the recording and playback of audio and data on the same disc, and can write both audio and data to standard MiniDisc media – an 80-minute MiniDisc blank could be formatted to store 305 ...